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                <text>View from the south </text>
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                <text>The door and the window immediately above the door, as well as the rectangular opening on the same level as the door (in the staircase/garderobe block), are all modern insertions. The arrow loop on the second level of the tower block is an original feature that provided defense. It also provides light to the staircase.</text>
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                <text>View from west</text>
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                <text>Staircase/garderobe block of the tower house (on left). The additional building complex (with Parlor and Great Hall) would have stood in the center of this photo. It was attached to the east side of the castle. Remains of the south wall of the Great Hall can still be seen (on right). That wall would have reinforced and/or doubled as the south-facing bawn wall.</text>
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                <text>View inside the late-medieval vaulted cellar </text>
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                <text>The visitor's first view inside the tower house is of the cellar, which would have been used to store goods.</text>
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                <text>View of garden bower (or 'pleasaunce'), west bawn wall and tower house from the north. The facing window in the tower house is situated opposite the 'Raleigh window' on the same floor. Like everything above it and the garden itself, it is entirely conjectural.</text>
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                <text>At center-bottom can be seen the original door into the tower house. It leads directly into a vaulted cellar.</text>
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                <text>View of knotted pleasure garden inside the bawn area, from the west and above.</text>
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                <text>View of Tower House entry from machicolation.</text>
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                  <text>"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia</text>
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                  <text>The importance of fashion in XIX Century Russian Literature, with referene to&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>Images to match citations, revealing the significance of evolving Russian fashion during the period of&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>Elizabeth LaFave</text>
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                  <text>&lt;p align="center"&gt;&amp;nbsp;(English)&lt;/p&gt;&#13;
&lt;p&gt;Bernstein, Aline.&amp;nbsp;&lt;em&gt;Masterpieces of Women's Costume of the 18th and 19th Centuries&lt;/em&gt;. Mineola, NY: Dover Publications, 2001.&lt;/p&gt;&#13;
&lt;p&gt;Efimova, L. V., and T. S. Aleshina.&amp;nbsp;&lt;em&gt;Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century&lt;/em&gt;. London: Vivays Pub., 2011.&lt;/p&gt;&#13;
&lt;p&gt;Hahn, H.&amp;nbsp;&lt;em&gt;Scenes of Parisian Modernity&lt;/em&gt;. New York: PALGRAVE MACMILLAN, 2016.&lt;/p&gt;&#13;
&lt;p&gt;Hiner, Susan.&amp;nbsp;&lt;em&gt;Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France&lt;/em&gt;. Philadelphia: University of Pennsylvania Press, 2010.&lt;/p&gt;&#13;
&lt;p&gt;Perrot, Philippe.&amp;nbsp;&lt;em&gt;Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century&lt;/em&gt;. Princeton, NJ: Princeton University Press, 1996.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pushkin, Alexander.&amp;nbsp;&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ribeiro, Aileen.&amp;nbsp;&lt;em&gt;The Art of Dress: Fashion in England and France, 1750-1820&lt;/em&gt;. London: Yale University Press, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Salmond, Wendy R., et al. Konstantin&amp;nbsp;&lt;em&gt;Makovsky: The Tsars painter in America and Paris.&amp;nbsp;&lt;/em&gt;Washington, D.C., Hillwood Estate, Museum &amp;amp; Gardens, 2015.&lt;/p&gt;&#13;
&lt;p&gt;Takeda, Sharon Sadako., et al.&amp;nbsp;&lt;em&gt;Reigning Men: Fashion in Menswear, 1715-2015&lt;/em&gt;. Los Angeles County Museum of Art, 2016.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p align="center"&gt;(Russian)&lt;/p&gt;&#13;
&lt;p&gt;Кирсанова Р. М.&amp;nbsp;&lt;em&gt;Костюм в русской художественной культуре&lt;/em&gt;. М.: Большая Советская Энциклопедия, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Лотман Ю. М. Роман А. С. Пушкина &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий // Лотман Ю. М.&amp;nbsp;&lt;em&gt;Пушкин: Биография писателя; Статьи и заметки, 1960-1990; &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий.&amp;nbsp;&lt;/em&gt;- СПб.: Искусство-СПб, 1995. С. 472-762.&lt;/p&gt;&#13;
&lt;p&gt;Лотман, Юрий.&amp;nbsp;&lt;em&gt;Беседы о русской культуре&lt;/em&gt;. СПб.: Искусство-СПб, 1994.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Русская культура&lt;/em&gt;. М.: Белый город, 1995.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Пушкин А. С. &amp;ldquo;Евгений Онегин&amp;rdquo;// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</text>
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                  <text>Spring 2016</text>
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                  <text>Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. </text>
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                  <text>English</text>
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              <text>&lt;p&gt;&amp;laquo;По имени Владимир Ленской,&lt;/p&gt;&#13;
&lt;p&gt;С душою прямо геттингенской,&lt;/p&gt;&#13;
&lt;p&gt;Красавец, в полном цвете лет,&lt;/p&gt;&#13;
&lt;p&gt;Поклонник Канта и поэт.&lt;/p&gt;&#13;
&lt;p&gt;Он из Германии туманной&lt;/p&gt;&#13;
&lt;p&gt;Привёз учености плоды:&lt;/p&gt;&#13;
&lt;p&gt;Вольнолюбивые мечты,&lt;/p&gt;&#13;
&lt;p&gt;Дух пылкий и довольно странный,&lt;/p&gt;&#13;
&lt;p&gt;Всегда восторженную речь&lt;/p&gt;&#13;
&lt;p&gt;И кудри черные до плеч&amp;raquo; (2, VI, 37)&lt;em&gt;.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;ldquo;Vladimir Lensky, just returning&lt;/p&gt;&#13;
&lt;p&gt;From G&amp;ouml;ttingen with soulful yearning,&lt;/p&gt;&#13;
&lt;p&gt;Was in his prime&amp;mdash;a handsome youth&lt;/p&gt;&#13;
&lt;p&gt;And poet filled with Kantian truth.&lt;/p&gt;&#13;
&lt;p&gt;From misty Germany our squire&lt;/p&gt;&#13;
&lt;p&gt;Had carried back the fruits of art:&lt;/p&gt;&#13;
&lt;p&gt;A freedom-loving, noble heart,&lt;/p&gt;&#13;
&lt;p&gt;A spirit strange but full of fire,&lt;/p&gt;&#13;
&lt;p&gt;An always bold, impassioned speech,&lt;/p&gt;&#13;
&lt;p&gt;And raven locks of shoulder reach&amp;rdquo; (Chapter 2, Stanza 6, Page 37).&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;em&gt;Eugene Onegin:&lt;/em&gt; "Reading Fashion"</text>
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                <text>Vladimir Lensky's soulful introduction; the opposite of Onegin from personality to his longer romantic hairstyle. </text>
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                <text>Text: Alexander Pushkin;&amp;nbsp;&lt;em&gt;Eugene Onegin&amp;nbsp;&lt;br /&gt;&lt;/em&gt;Image:&amp;nbsp;&lt;span&gt;E. Samokish-Sudkovsky for&amp;nbsp;&lt;em&gt;Eugene Onegin,&amp;nbsp;&lt;/em&gt;1908&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Костюм в Русский Художественной Культуре&lt;/em&gt;</text>
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                <text>Text: Oxford's World Classics &#13;
Image: Большая Советская Энициклопедия</text>
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                  <text>"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia</text>
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                  <text>The importance of fashion in XIX Century Russian Literature, with referene to&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>Images to match citations, revealing the significance of evolving Russian fashion during the period of&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>&lt;p align="center"&gt;&amp;nbsp;(English)&lt;/p&gt;&#13;
&lt;p&gt;Bernstein, Aline.&amp;nbsp;&lt;em&gt;Masterpieces of Women's Costume of the 18th and 19th Centuries&lt;/em&gt;. Mineola, NY: Dover Publications, 2001.&lt;/p&gt;&#13;
&lt;p&gt;Efimova, L. V., and T. S. Aleshina.&amp;nbsp;&lt;em&gt;Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century&lt;/em&gt;. London: Vivays Pub., 2011.&lt;/p&gt;&#13;
&lt;p&gt;Hahn, H.&amp;nbsp;&lt;em&gt;Scenes of Parisian Modernity&lt;/em&gt;. New York: PALGRAVE MACMILLAN, 2016.&lt;/p&gt;&#13;
&lt;p&gt;Hiner, Susan.&amp;nbsp;&lt;em&gt;Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France&lt;/em&gt;. Philadelphia: University of Pennsylvania Press, 2010.&lt;/p&gt;&#13;
&lt;p&gt;Perrot, Philippe.&amp;nbsp;&lt;em&gt;Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century&lt;/em&gt;. Princeton, NJ: Princeton University Press, 1996.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pushkin, Alexander.&amp;nbsp;&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ribeiro, Aileen.&amp;nbsp;&lt;em&gt;The Art of Dress: Fashion in England and France, 1750-1820&lt;/em&gt;. London: Yale University Press, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Salmond, Wendy R., et al. Konstantin&amp;nbsp;&lt;em&gt;Makovsky: The Tsars painter in America and Paris.&amp;nbsp;&lt;/em&gt;Washington, D.C., Hillwood Estate, Museum &amp;amp; Gardens, 2015.&lt;/p&gt;&#13;
&lt;p&gt;Takeda, Sharon Sadako., et al.&amp;nbsp;&lt;em&gt;Reigning Men: Fashion in Menswear, 1715-2015&lt;/em&gt;. Los Angeles County Museum of Art, 2016.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p align="center"&gt;(Russian)&lt;/p&gt;&#13;
&lt;p&gt;Кирсанова Р. М.&amp;nbsp;&lt;em&gt;Костюм в русской художественной культуре&lt;/em&gt;. М.: Большая Советская Энциклопедия, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Лотман Ю. М. Роман А. С. Пушкина &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий // Лотман Ю. М.&amp;nbsp;&lt;em&gt;Пушкин: Биография писателя; Статьи и заметки, 1960-1990; &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий.&amp;nbsp;&lt;/em&gt;- СПб.: Искусство-СПб, 1995. С. 472-762.&lt;/p&gt;&#13;
&lt;p&gt;Лотман, Юрий.&amp;nbsp;&lt;em&gt;Беседы о русской культуре&lt;/em&gt;. СПб.: Искусство-СПб, 1994.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Русская культура&lt;/em&gt;. М.: Белый город, 1995.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Пушкин А. С. &amp;ldquo;Евгений Онегин&amp;rdquo;// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</text>
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                  <text>Spring 2016</text>
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                  <text>Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. </text>
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              <text>&lt;p&gt;&amp;laquo;И, близ него её заметя,&lt;/p&gt;&#13;
&lt;p&gt;Об ней, поправя свой парик,&lt;/p&gt;&#13;
&lt;p&gt;Осведомляется старик&amp;raquo; (7, XLIX, 179).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&amp;ldquo;And some old man&amp;mdash;when he espied her&amp;mdash;&lt;br /&gt;&#13;
&lt;p&gt;Put straight his wig and asked around&amp;rdquo; (Chapter 7, Stanza 49, Page 179)&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;laquo;Приехал и мосье Трике,&lt;/p&gt;&#13;
&lt;p&gt;Остряк, недавно из Тамбова, В&lt;/p&gt;&#13;
&lt;p&gt;очках и в рыжем парике&amp;raquo; (5, XXVII, 122).&amp;nbsp;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&amp;ldquo;And brought along Monseiru Triquet,&lt;br /&gt;&#13;
&lt;p&gt;Late from Tambov, a witty fellow&lt;/p&gt;&#13;
&lt;p&gt;In russet wig and fine pince-nez&amp;rdquo; (Chapter 5, Stanza 27, Page 122).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;em&gt;Eugene Onegin: "&lt;/em&gt;Reading Fashion"</text>
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                <text>Wigs were still a major part of traditional Russian culture and dress for men. </text>
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                <text>Text:&amp;nbsp;Alexander Pushkin;&amp;nbsp;&lt;em&gt;Eugene Onegin&amp;nbsp;&lt;br /&gt;&lt;/em&gt;Image:&amp;nbsp;&lt;em&gt;Красавец мужчина:&amp;nbsp;Русский модник XVIII &amp;ndash; начала ХХ века / Авт. &amp;ndash;сост. Н.М. Виноградовa&lt;/em&gt;</text>
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                <text>Text: Oxford's World Classics&#13;
Image: M. Исторический музей</text>
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                  <text>Sarah Parrish</text>
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                <elementText elementTextId="2543">
                  <text>“Biography.” &lt;em&gt;Spenser Online&lt;/em&gt;, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. &lt;br /&gt;&lt;br /&gt;Hadfield, Andrew. &lt;em&gt;Edmund Spenser: A Life&lt;/em&gt;. Oxford UP, 2012. &lt;br /&gt;&lt;br /&gt;Judson, Alexander C. &lt;em&gt;The Life of Edmund Spenser&lt;/em&gt;. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. &lt;br /&gt;&lt;br /&gt;Maley, Willy. &lt;em&gt;A Spenser Chronology&lt;/em&gt;. MacMillian, 1994. &lt;br /&gt;&lt;br /&gt;Spenser, Edmund. &lt;em&gt;Selected Letters and Other Papers&lt;/em&gt;. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009.</text>
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                <text>Spenser lives in Co. Cork. "From now until he leaves Ireland with Raleigh in 1589, Spenser is intimately involved with the complex business of the Munster plantation." (Maley, 43).</text>
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