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                <text>Turret at south-east corner of bawn. View from east. Note Irish-style crenellations, window and privy-chute exit.</text>
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                <text>Valentine de Saint-Point et les femmes</text>
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                <text>Mary Taylor Harrington&#13;
&#13;
FREN 3560&#13;
&#13;
25 Janvier, 2016&#13;
&#13;
Valentine de Saint-Point et les femmes&#13;
&#13;
En réponse au « Manifeste du Futurisme » de F. T. Marinetti, en 1909, Valentine de Saint-Point écrit un manifeste de la femme futuriste. Dans son manifeste Marinetti exclue les femmes. Saint-Point écrit son manifeste pour les femmes spécifiquement. Dans son manifeste, Saint-Point décrit la transformation des femmes. Selon Saint-Point, les femmes, au début du temps, considéraient être élégantes, comme la nature. Pendent les temps que Saint-Point a écrit ce manifeste, c’était la fin d’une époque. Finalement, Saint-Point écrit que le futur pour les femmes sera un futur où elles seraient les opposantes et plus fort que la passé.&#13;
&#13;
Avant le féminisme est devenu un mouvement dans la société, le monde a vu les femmes comme les créatures fragiles. Dans le manifeste, Saint-Point fait une comparaison entre les femmes à la nature. Aussi, elle dit que l’ère actuel est comme « au début d’un printemps» (p. 9) Au début du printemps, quand les fleurs commencent à éclore et changer. Saint-Pointe utilise souvent le terme « le terrain de culture » (p. 8), à décrire l’humanité. Les femmes étaient élégante et c’était absurde pour les femmes être indépendantes ou avoir les qualités masculine. Saint-Point utilise ces métaphores pour expliquer son idée des femmes futuristes. Saint-Pointe crée une nouvelle apparence pour les femmes avec son manifeste.&#13;
&#13;
Après la comparaison à la nature, Saint-Point écrit que le période de la femme faible viendra à la fin, « dans des rêves de paix, furent des périodes où domina la féminité » (p. 9). Elle écrit que les femmes ne doivent pas avoir seulement&#13;
&#13;
de qualités féminines et les hommes ne doivent pas avoir seulement de qualités masculines. Elle écrit, « il est absurde de diviser l’humanité en femmes et en hommes. » Ici, elle commence à décrire les idées de la femme futuriste. Il y a une femme qui a une variété de qualités. Cette fin d’une époque est représentée par le début de printemps. Pour les saisons, le printemps apporte les changements à l’environnement. La fin d’une époque apporte les changements à une nouvelle génération de femmes. C’est une nouvelle période de féminité.&#13;
&#13;
Dans la conclusion du manifeste, Saint-Point écrit que les femmes retourneront aux leurs « sublime instincts » (p. 14). Ces instincts sont la violence et la cruauté. Avant, elles ont utilisé ces instincts pour survivre. Ici est la prédiction pour la femme futuriste. Saint-Point écrit que les femmes arrêtent cacher leurs enfants des périls de la vie. Les femmes peuvent être les opposantes. Les femmes ne seraient plus faibles et fragile. Mais, cette nouvelle époque n’est pas le féminisme. Saint-Point critique le féminisme. Elle écrit que le féminisme « est une erreur politique » (p. 12). L’autrice écrit que les femmes et les hommes sont égaux. Elle écrit que les femmes peuvent faire ce que les hommes peuvent faire.&#13;
&#13;
Dans ce manifeste, Saint-Point prédit une transformation de la femme moderne. Par commence avec le passé des femmes comme élégante, à discuter le fin de l’époque, elle décrit la femme futuriste que Marinetti a évité. La femme futuriste est différente que une féministe. De temps en temps le féminisme déclare que les femmes sont égales mais il y a un séparation entre les femmes et les hommes.</text>
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                <text>Une rédaction au sujet de Valentine de Saint-Point et la femme futuriste.</text>
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                <text>Various views of the privy in south-east corner of bawn. A mantle hangs by the door.</text>
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                <text>View from above of north-east corner of Tower House and pleasure garden. St. George's cross, the symbol of England, blows in the breeze on a pennant</text>
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                <text>Close-up of the castle, including “Raleigh's window,” from the south. Note (to the right) the arrow slit in the staircase/garderobe tower on the same level as the window. Defense was paramount in the original castle design. The loop also serves as one of two windows for the privy.</text>
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                <text>This shows the tower house from the vantage point of the marsh or seasonal lake to the south. The doorway at the bottom is formed from a pre-existing window loop (i.e., opening) and now leads into the cellar. This indicates use of the cellar as a cattle byre in modern times.</text>
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                <text>In Spenser's day, the castle would have been taller, and a bawn wall enclosing the castle yard would have stood between the viewer and the castle. The Ballyhoura mountain range can barely be seen in the distance. &#13;
&#13;
Spenser's residence in the castle may have begun as early as 1586-7 and was finished when fighting from the Nine Years' War (1594-1603) swept south and sacked the Munster plantation (and Kilcolman with it) in October, 1598. Spenser died a refugee in London early 1599. Legend has it that Spenser lost a child in the fire and also that the second half of his epic, The Faerie Queene, was lost in the displacement. Burn marks on the walls from the sacking of Kilcolman have been found, as well as burn marks from a fire a generation later, when the castle was occupied by Spenser's son, Sylvanus.</text>
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                <text>View from the northwest from within the bawn area </text>
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            <elementTextContainer>
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                <text>In the foreground is the nineteenth-century platform or patio. The marshy, seasonal lake to the south of the tower is partly filled with water. The Ballyhoura range of mountains can be glimpsed in the distance to the east and south of the tower.</text>
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        <src>https://collections.ecu.edu/files/original/28/937/south-view_[13].jpg</src>
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                  <text>Kilcolman Today Image Gallery </text>
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                  <text>Dr. Thomas Herron, ECU</text>
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                <text>View from the south </text>
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                <text>Additional stories are missing from the top of the tower. An attacker would have been targeted by the arrow slits and windows, which also give fine views of the landscape. The ivy is no longer on the tower (as of 2009-10).</text>
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