23
10
581
-
https://collections.ecu.edu/files/original/22/622/strasbourg_pie.jpg
93531629783c47236185d51736cea21b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
<p>«Вошел: и пробка в потолок,</p>
<p>Вина кометы брызнул ток,</p>
<p>Пред ним roast-beef окровавленный,</p>
<p>И трюфли, роскошь юных лет,</p>
<p>Французской кухни лучший цвет,</p>
<p>И Стразбурга пирог нетленный» (1, XVI, 11).</p>
<br /><br />“He enters—cork and bottle spout!<br />
<p>The comet wine comes gushing out,</p>
<p>A bloody roastbeef’s on the table,</p>
<p>And truffles, youth’s delight so keen,</p>
<p>The very flower of French cuisine,</p>
<p>And Strasbourg pie, that deathless fable” (Chapter 1, Stanza 16, Page 11).<br /><br /><br /></p>
<p> </p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Champagne and Strasbourg Pie
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
Champagne and Strasbourg pie highlights French influences on the eating habits of Russian elites.
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
Text: Alexander Pushkin; <em>Eugene Onegin </em>
Publisher
An entity responsible for making the resource available
Text: Oxford's World Classics
champagne
French cuisine
Strasbourg pie
-
https://collections.ecu.edu/files/original/22/623/Screen_Shot_2017-11-09_at_5.02.27_PM.png
8b6c4230953164583e88fbffb580b5d5
https://collections.ecu.edu/files/original/22/623/Screen_Shot_2017-11-09_at_5.21.53_PM.png
d56aeb9f2018da09be094bcbe11070f0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Eugene Onegin: </em>Timeline
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
A timeline of events surround Alexander Pushkin's <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
-
https://collections.ecu.edu/files/original/22/624/Screen_Shot_2017-10-31_at_11.40.28_AM.png
4942c2dd24a1a83a79c3e5d175c9e59e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Guide to the Evolution of Fashion During <em>Eugene Onegin </em>
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
'What's in Her Wardrobe?'
An Early XIX Century Guide to Women's Fashion in Russia
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
-
https://collections.ecu.edu/files/original/22/631/Screen_Shot_2017-10-14_at_10.12.17_PM.png
24ae11e92156e60a1d2094ac3f5a5d5d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tatyana Style Screenshot
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
Screenshot of Neatline exhibit of 'Tatyana Style'.
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Tatyana
-
https://collections.ecu.edu/files/original/22/632/London_Hairsyle--1820s.1.jpg
335823cae997a36488e377a61ceda6a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Onegin's Hairstyle
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
For the Neatline 'Onegin Style' for the hairstyle description.
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
Hillwood Estate, Museum & Garden
-
https://collections.ecu.edu/files/original/22/634/Pushkin_writing.1.jpg
07825dc820ce284e6fcc65c2f35dbcda
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexander Pushkin Writing
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
Introductory Picture
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p>Petr Petrovich Konchalovsky, 'Pushkin in St. Michael' (1940)</p>
-
https://collections.ecu.edu/files/original/22/635/duel.png
ecaeeac95edaaf298dfd946de917add3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Onegin and Lensky: Duel
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
Interactive Map: Waypoint Picture
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<em>Костюм в Русский Художественной Культуре</em>
Publisher
An entity responsible for making the resource available
Большая Советская Энициклопедия
-
https://collections.ecu.edu/files/original/22/637/Screen_Shot_2017-11-10_at_12.24.15_PM.png
04b993ac09d9921ea45affb5dccc4bf9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Interactive Map Screenshot for Exhibit
Subject
The topic of the resource
<em>Eugene Onegin: "</em>Reading' Fashion"
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
-
https://collections.ecu.edu/files/original/22/638/IMG_7431.JPG
945ee8e66ff5455e84c12d9e86a6d49d
https://collections.ecu.edu/files/original/22/638/Screen_Shot_2017-11-10_at_12.21.20_PM.png
b7fc990680faee1812894ca95cec7aac
https://collections.ecu.edu/files/original/22/638/IMG_7495.JPG
c134bd691eb54b8e3819b6d087450716
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia
Subject
The topic of the resource
The importance of fashion in XIX Century Russian Literature, with referene to <em>Eugene Onegin. </em>
Description
An account of the resource
Images to match citations, revealing the significance of evolving Russian fashion during the period of <em>Eugene Onegin. </em>
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
<p align="center"> (English)</p>
<p>Bernstein, Aline. <em>Masterpieces of Women's Costume of the 18th and 19th Centuries</em>. Mineola, NY: Dover Publications, 2001.</p>
<p>Efimova, L. V., and T. S. Aleshina. <em>Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century</em>. London: Vivays Pub., 2011.</p>
<p>Hahn, H. <em>Scenes of Parisian Modernity</em>. New York: PALGRAVE MACMILLAN, 2016.</p>
<p>Hiner, Susan. <em>Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France</em>. Philadelphia: University of Pennsylvania Press, 2010.</p>
<p>Perrot, Philippe. <em>Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century</em>. Princeton, NJ: Princeton University Press, 1996.</p>
<p><strong>Pushkin, Alexander. <em>Eugene Onegin: </em>A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009. </strong></p>
<p>Ribeiro, Aileen. <em>The Art of Dress: Fashion in England and France, 1750-1820</em>. London: Yale University Press, 1995.</p>
<p>Salmond, Wendy R., et al. Konstantin <em>Makovsky: The Tsars painter in America and Paris. </em>Washington, D.C., Hillwood Estate, Museum & Gardens, 2015.</p>
<p>Takeda, Sharon Sadako., et al. <em>Reigning Men: Fashion in Menswear, 1715-2015</em>. Los Angeles County Museum of Art, 2016.</p>
<p> </p>
<p align="center">(Russian)</p>
<p>Кирсанова Р. М. <em>Костюм в русской художественной культуре</em>. М.: Большая Советская Энциклопедия, 1995.</p>
<p>Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. <em>Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. </em>- СПб.: Искусство-СПб, 1995. С. 472-762.</p>
<p>Лотман, Юрий. <em>Беседы о русской культуре</em>. СПб.: Искусство-СПб, 1994. </p>
<p><em>Русская культура</em>. М.: Белый город, 1995.</p>
<p><strong>Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.</strong></p>
<p><em> </em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 2016
Rights
Information about rights held in and over the resource
Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden.
Language
A language of the resource
English
Rights Holder
A person or organization owning or managing rights over the resource.
All rights belong to their respective owners.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Credits/References Picture
Subject
The topic of the resource
<em>Eugene Onegin: </em>"Reading Fashion"
Description
An account of the resource
Alexander Pushkin cartoon
Creator
An entity primarily responsible for making the resource
Elizabeth LaFave
Source
A related resource from which the described resource is derived
Лотман, Юрий. Бесебы о русской культуре. Санкт-Петербург, «Искусство-СПБ», 1994.
-
https://collections.ecu.edu/files/original/13/70/FREN3560DADAI.docx
ebfa67d45742d3f65b6130e11241b6d6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dada
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
L’importance du forme dans le « Manifeste Dada 1918 », par Tristan Tzara
Creator
An entity primarily responsible for making the resource
Emma Hurlbert
Abstract
A summary of the resource.
Dans les « archives dada » (compilé par Marc Dachy), le « Manifeste Dada 1918 » par Tristan Tzara souligne les fondements du mouvement Dada. Il écrit, « Dada ne signifie rien », c’est un exemple des croyances dadaïste parce que les mots ne s’agissent rien. La signifiance est dans la forme, pas la définition. La poésie du mouvement de dadaïsme ressemble les mots dans la forme des autres choses importants, c’est dans la forme où le lecteur trouve la vraie signifiance.
Le nom Dada représente la pénurie d’importance dans le mot parce qu’il ne s’agit rien, Dada a l’intention à sonner comme la brouille insensée qu’un enfant fait quand il est plus jeune à dire. Tzara dit, « Si je crie : Idéal, idéal, idéal, Connaissance, connaissance, connaissance, Boumboum, boumboum, boumboum » avec le choix de répétition, son et style (écriture en majuscules et minuscule, le gras et l’italique), l’écrivain peut influencer les émotions et le dialectique d’œuvre. Dada veut de refuser l’art entièrement, mais c’est un type d’art parce qu’il force le spectateur se sent quelque chose.
Les dadaïstes rejettent les définitions parce qu’ils croient qu’il n’y a pas « de dernière Vérité. » Toutes les choses sont objectives et la signifiance dépende sur l’opinion et les expériences d’un spectateur. Tzara dit, « La dialectique est une machine amusante qui nous conduit / d’une manière banale / aux opinions que nous aurions eu en tout cas. » Le premier but est comment il ajoute des barres obliques inversée pour causer le lecteur met en pause, donc l’accent est l’avant-garde (le premier ligne d’importance.) Le dialecte est juste quelque chose à jouer avec et le mot est une forme à construire dans le propre du lecteur. « L’art est une chose privée, l’artiste le fait pour lui, » s’agit que tous que nous faisons, c’est notre propre création. Il écrit antérieurement, « Mais si la vie est une mauvaise farce, sans but ni accouchement initial, […] nous avons proclamé seule base d’entendement. » Nous sommes les artistes qui créent et définissent le monde autour nous.
Dans dadaïsme, de retirer les symboles typiques et les définitions acceptées généralement de la société, c’est une rébellion contre la logique et le préjudice ; le dadaïsme offrit la liberté de pensée, d’expression, des contradictions, et il permet l’erreur humaine. Tzara écrit, « proteste aux poings de tout son être en action destructive : dada ; » Ce manifeste appelle le gens à refuser tous définitions qu’ils sont forcé d’accepter comme vrai, il n’y a pas une Vérité selon dadaïsme. Le gens doit rejeter les normes sociales pour gagner la connaissance de la liberté que le dadaïsme offrit.