16 10 581 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 24 1582 Subject The topic of the resource August 24 Description An account of the resource Spenser obtains official lease of the dissolved House of Friars minors, known as New Abbey, Co. Kildare, twenty-five miles from Dublin, one of the forfeited estates of Viscount Baltinglas, who had fled to Spain in 1581. The lease came “with an old waste town adjoining, and its appurtenances” (Fiants, Eliz. no. 3969): “Lease under commission 15 July xii) [sic] to Edmund Spenser Gent., of the site of the house of friars called New Abbey, Co. Kildare, with appurtenances in the Queens disposition by the rebellion of James Eustace. To hold for 21 years. Rent £3. (Provided he shall not alien to any except and shall not charge coyne or livery. Fine £20).” The great bog of Allen was close to this property and influenced Spenser’s writing of insects in the FQ. Spenser is paid by Treasurer Wallop “for rewards to messengers.” This appears to be the final payment of Spenser's secretaryship for the purpose before Grey's recall. (Maley, 36; Judson, 102; Burlinson and Zurcher, 227) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 25 1580 Subject The topic of the resource August 25 Description An account of the resource Grey defeated by O’Byrne at Glenmalure in the Wicklow Mountains; Spenser “refers directly to the defeat in his account of the marriage of the Thames and the Medway” in FQ IV.xi.44, line 5—"balefull Oure, late staind with English blood" (a pun is made on the “balefull,” i.e., evil, mal-[O]ure). Spenser also references this loss in A View, "indicating that this first observation of Irish warfare imprinted itself on Spenser’s imagination." (Hadfield, 157) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 25 1584 Subject The topic of the resource August 25 Description An account of the resource Spenser leaves Dublin for north Ulster. (Maley, 40) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August c. 15 1581 Subject The topic of the resource August c. 15 Description An account of the resource Spenser accompanies Grey on an expedition against James Eustace, Viscount Baltinglas and the Wicklow lord Feagh McHugh O’Byrne. (Maley, 24) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August-September 1592 Subject The topic of the resource August-September Description An account of the resource Spenser possibly in England and “suspected, with others, of not having well ‘performed the plot of the habitation’” (CSPI 167.44.V; Maley, 58) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Autumn 1585-Spring 1586 Subject The topic of the resource Autumn 1585-Spring 1586 Description An account of the resource Maley notes that "between Autumn 1585 and spring of this year, Spenser must have attended the sessions of the presidency court of Munster at Limerick and Cork." (42) https://collections.ecu.edu/files/original/20/568/Map_v2.png 1ef08bf6a30376efcd205a3f8e7a446a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barcelona Map Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/22/2017 Type The nature or genre of the resource Still Image Date Created Date of creation of the resource. 02/22/2017 Description An account of the resource <a href="https://pan.ecu.edu/neatline/show/digital-barcelona#records/133">Click here to access Barcelona's Interactive Map</a> https://collections.ecu.edu/files/original/20/536/OR_Spain-Beach-Barcelona-Barceloneta-773230.jpg 7dcfff85722863fd0e17216db7551eaa https://collections.ecu.edu/files/original/20/536/Palmer_Brooke_La_Barceloneta.m4a 2567df0c5eb6030ffa52e9ca44789097 https://collections.ecu.edu/files/original/20/536/Barceloneta_Beach_-_Brooke_Palmer.pdf 44ce425897031ba565e1a220ab8cd833 PDF Text Text Barceloneta Beach Barcelona has undergone many alterations to its cityscape. Robert Hughes, author of Barcelona: The Great Enchantress goes as far as to say that the city, “had been punitively raped and degraded by business, by the unsupervised and opportunistic greed of developers” (Hughes, 2004: 30). One of the major modifications was the development of La Barceloneta in the 18th century. This was as a result of the War of Spanish Succession when the city needed a new area to house those removed from the region where a citadel was to be built (Hall 1997: 126). This area became almost a city within a city, as Barcelonan authority was quick to relocate some of its citizens to a space closer to the sea. Those relocated were moved to La Barceloneta, which was a suburb found right outside the city walls and designed by the architect Prospère de Verboom (Hall 1997: 127). The “historical crisis” of the War of Spanish Succession caused La Barceloneta to form, which is why, as Joan Ramon Resina claims, the city was almost found “anew” in 1715 (Resina 2008: 6). Despite the negative reasons for its creation, La Barceloneta has done well as a suburb. Since it is located on a part of Barcelona’s coast, it became known for its marine capabilities. Its long, narrow streets were home to those who worked beside the ocean, like sailors, fishers, fishmongers, and boat builders (Newsvine). It is a popular tourist attraction to this day, with beaches along the coast and the sight of “centur[y] old multi-story modules that rise up everywhere” (Newsvine). So, while it had a troubled start, La Barceloneta turned out for the better nearly three centuries after its original creation and purpose. �Works Cited Newsvine, Caloz. “Barceloneta - a little history and a side-street ‘show’” Spain: The Blog:. 07 July 2007. Web. 02 October 2016. � https://collections.ecu.edu/files/original/20/536/Barceloneta_Beach_-_Samuel_Alvarado.pdf a2eb1734bd2748a6dd0e60e1e3614313 PDF Text Text Barceloneta Beach The 1992 Olympic Games held in Barcelona were a pivotal moment for the city and its battered Catalan nationalism. Joan Ramon Resina describes this event as a “historical threshold” for the social transformation that that had been brewing in previous decades (2008: 6). Resina talks primarily about the social implications that the games had in solidifying a cultural identity for the Catalan city that had been defeated by a long history of political attacks. The impacts that the games had on Barcelona are similar to the revival the city had in 1888 with its first Universal Exposition. The exposition served as the first occasion in the modern history of Barcelona where the city’s culture and innovative ideas were displayed on the world stage, a sort of “rite of passage” according to Resina into the big leagues of prominent world powers (2008: 7). In the instance of the 1992 Olympic Games, much like that of the exposition of 1888 yet multiplied by the introduction of technology, the infrastructures built for the games created a whirlwind of economic and cultural changes. It is estimated that $8,012,000,000 (from http://olympicstudies.uab.es/pdf/wp030_eng.pdf) went into the extravagant remodeling of Barcelona’s cityscape in order to revive the infrastructure (and subsequently the Catalan sense of national pride) in preparation for the 1992 Olympic Games. Among these expenditures were 78 kilometers of new roads, the Olympic ring, parking areas, airport and hotel renovations, traffic control systems, various sports facilities and countless others (Brunet 1995: 6-7). Although the investment seems daunting, it is important to note the dramatic changes that Barcelona would quickly see in regard to employment, tourism and most importantly the overall sense of cultural pride. Much like the expansive plans of Cerdà (the architect who expertly laid out the extension from the old village of Barcelona into what is now known as �the Eixample) the city officials and planners for the Olympic Games kept the future of Barcelona in their minds. By demolishing two miles of industrial eyesores along the coast of the Mediterranean, space was created for a manmade beach known as Barceloneta Beach. Not only did this space serve the many visiting athletes and spectators of the Olympic Games – it became a tourist destination for travelers around the world. On this beach stands a monument commissioned for the Olympic Games and executed by German artist Rebecca Horn. This monument, known as “L’Estel Ferit” (The Wounded Shooting Star) acknowledges the history of the Barceloneta area that had been wiped clean in order to create the beachfront. Its twisting stacked cubes made of rusted metal stand prominently over the beach and act as a monument of a recent past. The windows added to the cubes are reminiscent of an old industrial building, yet they create a sort of visual passage from the urban setting of Barcelona into the ocean – essentially the core purpose of the newly laid beachfront area. Another iconic monument that resulted from the 1992 Olympic Games is Frank Gehry’s “Fish.” This enormous fish stands as a celebratory symbol, just outside the newly constructed Hotel Arts overlooking the newly constructed Olympic marina. This monument mimics the energetic motion and sleek form of a fish, utilizing the bright Barcelona sun in order to reflect the structure’s shining gold strips. These two monuments seem to work together in order to illustrate the reinvention of Barcelona. Horn’s tower pays tribute to the “old” Barcelona (weathered metal, unorganized stacked cubes, a static façade) while Gehry’s fish does just the opposite (shining gold, sleek form, organic motion). The Barceloneta Beach destination serves as a constant reminder of the lasting impact that the 1992 Olympic Games had on the city. Barcelona has proven to be a breeding ground for innovation in the field of art and design and the new renovations made here and elsewhere for the Olympic Games proved to be no different. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barceloneta Beach Subject The topic of the resource Barceloneta Beach Description An account of the resource Barceloneta Beach is located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Samuel Alvarado, Brooke Palmer, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/06/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 02/06/2017 Barcelona Barceloneta Beach Brooke Palmer Samuel Alvarado Spain https://collections.ecu.edu/files/original/20/563/OR_Barrio_Chino.png 0190272438f0f1dd4d8434f726ac4d63 https://collections.ecu.edu/files/original/20/563/Barrio_Chino2_OR.1.jpg a3ae19961dc3d121e3e704d5c40b6cd5 https://collections.ecu.edu/files/original/20/563/Camille_Kresz_Benjamin_Fraser_[eds]_-_Barrio_Chino.pdf ded90165346de1135bdefbe7ac38925f PDF Text Text Barrio Chino: Description and Important Sites Barcelona is a city that is divided into two major sections: the old city, more specifically the Barrio Chino, and the Eixample. Historically, the Barrio Chino (Fifth District) was a place in Barcelona that remained constantly busy regardless of the bad reputation that it held. People went there to enjoy themselves and relish in the excitement of the nightlife full of sex, music, drugs and consequently disease. Nowadays, the area is characterized by construction sites, graffiti, debris, tight corners, and crooked streets, which paints a negative and grotesque view of El Barrio. The sounds of jackhammers, bulldozers, and breaking concrete that fill the streets creates an atmosphere of discontent and restlessness. The Barrio Chino had a poor reputation around the beginning of the 1900s. It was an area known for illicit activities, decrepit behavior, and libertarian forms of anarchism. It was full of crowded streets, large factories full of immigrants, and homes with people in desolate conditions. Along with these, it was a place that night-life thrived where visitors could gamble and listen to jazz music. Indeed, this borough played and large role in the emergence of various musical styles, including jazz, as well as housing concepts of political change related to libertarian anarchism. Most of the inhabitants of the Barrio Chino worked in factories and workshops. To quote Zarzoso and Pardo-Tomás, “Barrio Chino was home to a “complex coexistence of diverse urban subcultures” (2016: 165). Their cafes, cabarets, and taverns were buzzing with political and social talk. The streets that were known for drugs and prostitution were also home to places for the sick and poor to be cared for. The Barrio Chino is a place that brought medical advances, even despite the lack of attention, such as the layout of the healing houses. Likewise, the Barrio Chino contained anatomical museums, known as museos anatómicos, which helped to popularize medical culture for the masses. The Barrio Chino was also home to the exclusively 1 �female Queen Amalia prison dedicated to reforming prisoners. Nonetheless, the ruling government was disgusted, appalled, and wanted a change. (Zarsoso Pardo-Tomas 2016: 165). In April 1932, the Fifth District in Barcelona was poised to see a rapid change, when Francesc Macià, a significant political figure in Barcelona, Dr. Jaume Aiguade, the mayor of the time, and some young Barcelonan architects along with Le Corbusier constructed a plan to overhaul the space. These plans were incredibly aggressive: they proposed tearing down all buildings and roads in the area. Despite having high hopes for the region, very few aspects of the original plan were fully carried out. Construction was essentially halted at the onset of the civil war when the Franco regime came into power. While these improvements were largely positive for the new residents of Barrio Chino, the previous inhabitants faced many hardships with the renovations. Many inhabitants of the city were forced out of their homes and given a settlement for the homes to be rebuilt and sold at a higher price to middle-class homebuyers. The inability to convince middle-class homebuyers of the affluent status of the neighborhood caused the idea of gentrification to fail. The area was renamed El Raval after the post-Olympic era but is still informally known as the Barrio Chino (Zarzoso and Pardo-Tomás 2016: 178). Several important monuments are located in the Barrio Chino, such as the Romea Teater and the church of Sant Pau de Camp. —Edited by Camille Kresz and Benjamin Fraser with text from Samuel Alvarado, Victoria Bishop, Grace Langley, Tricia Malcom, Amy Musgrave, Lillie Rhodes, Kendall Schunk, Jayati Vyas and Ashley Weingartz 2 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barrio Chino Subject The topic of the resource Barrio Chino Description An account of the resource The Barrio Chino is a district located in Barcelona, Spain Creator An entity primarily responsible for making the resource Samuel Alvarado, Victoria Bishop, Grace Langley, Tricia Malcom, Amy Musgrave, Lillie Rhodes, Kendall Schunk, Jayati Vyas Ashley Weingartz Camille Kresz, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/16/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image Date Created Date of creation of the resource. 02/16/2017 Amy Musgrave Ashley Weingartz Barcelona Barrio Chino Camille Kresz Grace Langley Jayati Vyas Kendall Schunk Lillie Rhodes Samuel Alvarado Spain Tricia Malcom Victoria Bishop https://collections.ecu.edu/files/original/20/574/Bench_Parc_Guell_Barcelona.jpg a5b25e71b3c4a5c34a7c331dcf7881df https://collections.ecu.edu/files/original/20/574/Victoria_Bishop_-_Park_Guell_Bench.pdf f4372d38905244ba0dba8257c1b4a44a PDF Text Text Bench in Parc Güell In Park Güell, designed by Antoni Gaudí, there is a long tile bench which consists of numerous interesting components, one of them being the art form of trencadís. Conrad Kent refers to the bench, in his article From Pleasure Gardens to Places of Dures, as a “brilliantly tiled bench that wraps around the central theater of the park” (Kent 2002: 227). The bench is not tiled like most would think, with the same decorative pattern all the way around, instead it decorated using trencadís. Trencadís is using broken tile from various sources to tile and decorate a specific item, there are different pictures and colors included when using this method. Trencadís is something that Gaudí is known for using, which as Robert Hughes points out in Barcelona the Great Enchantress, by saying that “Gaudí was fascinated by how mosaic fragmentation of trencadís” (Hughes 2004: 140). Gaudí asked people to bring him broken pieces of tile. There is also a deeper meaning to trencadís, as Josep Sobrer discusses in his article Against Barcelona, “in symbolic terms, trencadís exalts the poor, the broken, the outcast” (Sobrer 2002: 212). Gaudí got the tile from everyone who would give him tile, he did not just use tile from the rich and that is one way that Gaudí was able to uplift the poor. Gaudí was able to portray a deeper spiritual meaning and make something look absolutely astounding all while using trencadís, and the bench in Park Güell is a huge highlight of what he did while using this method. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bench in Parc Güell Subject The topic of the resource Bench in Parc Güell Description An account of the resource Parc Güell is home to a very particular bench, created by Gaudi. Parc Güell and the bench are located in Barcelona, Spain Creator An entity primarily responsible for making the resource Victoria Bishop Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 03/01/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 03/01/2017 Barcelona Bench in Parc Güell Spain Victoria Bishop