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                <text>"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia</text>
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                <text>The importance of fashion in XIX Century Russian Literature, with referene to&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                <text>Images to match citations, revealing the significance of evolving Russian fashion during the period of&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                <text>Elizabeth LaFave</text>
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                <text>&lt;p align="center"&gt;&amp;nbsp;(English)&lt;/p&gt;&#13;
&lt;p&gt;Bernstein, Aline.&amp;nbsp;&lt;em&gt;Masterpieces of Women's Costume of the 18th and 19th Centuries&lt;/em&gt;. Mineola, NY: Dover Publications, 2001.&lt;/p&gt;&#13;
&lt;p&gt;Efimova, L. V., and T. S. Aleshina.&amp;nbsp;&lt;em&gt;Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century&lt;/em&gt;. London: Vivays Pub., 2011.&lt;/p&gt;&#13;
&lt;p&gt;Hahn, H.&amp;nbsp;&lt;em&gt;Scenes of Parisian Modernity&lt;/em&gt;. New York: PALGRAVE MACMILLAN, 2016.&lt;/p&gt;&#13;
&lt;p&gt;Hiner, Susan.&amp;nbsp;&lt;em&gt;Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France&lt;/em&gt;. Philadelphia: University of Pennsylvania Press, 2010.&lt;/p&gt;&#13;
&lt;p&gt;Perrot, Philippe.&amp;nbsp;&lt;em&gt;Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century&lt;/em&gt;. Princeton, NJ: Princeton University Press, 1996.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pushkin, Alexander.&amp;nbsp;&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ribeiro, Aileen.&amp;nbsp;&lt;em&gt;The Art of Dress: Fashion in England and France, 1750-1820&lt;/em&gt;. London: Yale University Press, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Salmond, Wendy R., et al. Konstantin&amp;nbsp;&lt;em&gt;Makovsky: The Tsars painter in America and Paris.&amp;nbsp;&lt;/em&gt;Washington, D.C., Hillwood Estate, Museum &amp;amp; Gardens, 2015.&lt;/p&gt;&#13;
&lt;p&gt;Takeda, Sharon Sadako., et al.&amp;nbsp;&lt;em&gt;Reigning Men: Fashion in Menswear, 1715-2015&lt;/em&gt;. Los Angeles County Museum of Art, 2016.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p align="center"&gt;(Russian)&lt;/p&gt;&#13;
&lt;p&gt;Кирсанова Р. М.&amp;nbsp;&lt;em&gt;Костюм в русской художественной культуре&lt;/em&gt;. М.: Большая Советская Энциклопедия, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Лотман Ю. М. Роман А. С. Пушкина &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий // Лотман Ю. М.&amp;nbsp;&lt;em&gt;Пушкин: Биография писателя; Статьи и заметки, 1960-1990; &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий.&amp;nbsp;&lt;/em&gt;- СПб.: Искусство-СПб, 1995. С. 472-762.&lt;/p&gt;&#13;
&lt;p&gt;Лотман, Юрий.&amp;nbsp;&lt;em&gt;Беседы о русской культуре&lt;/em&gt;. СПб.: Искусство-СПб, 1994.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Русская культура&lt;/em&gt;. М.: Белый город, 1995.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Пушкин А. С. &amp;ldquo;Евгений Онегин&amp;rdquo;// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</text>
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            <name>Date</name>
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                <text>Spring 2016</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>All rights belong to their respective owners. </text>
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    <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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            <text>&lt;p&gt;&amp;laquo;Всё хлопает. Онегин входит,&lt;/p&gt;&#13;
&lt;p&gt;Идёт меж кресел по ногам,&lt;/p&gt;&#13;
&lt;p&gt;Двойной&amp;nbsp;&lt;span&gt;лорнет&lt;/span&gt;&amp;nbsp;скосясь наводит&lt;/p&gt;&#13;
&lt;p&gt;На ложи незнакомых дам;&lt;/p&gt;&#13;
&lt;p&gt;Все ярусы окинул взором,&lt;/p&gt;&#13;
&lt;p&gt;Всё видел: лицами, убором&lt;/p&gt;&#13;
&lt;p&gt;Ужасно недоволен он&amp;raquo; (1, XXI, 13).&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&amp;ldquo;And all applaud, Onegin enters&amp;mdash;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;And treads on toes to reach his seat;&lt;br /&gt;&lt;br /&gt;His double glass he calmly centres&lt;br /&gt;&lt;br /&gt;On ladies he has yet to meet.&#13;
&lt;p&gt;&lt;br /&gt;He takes a single glance to measure&lt;br /&gt;&lt;br /&gt;These clothes and faces with displeasure&amp;rdquo; (Chapter 1, Stanza 21, Page 13).&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;laquo;Ни дам ревнивые&amp;nbsp;&lt;span&gt;лорнеты&lt;/span&gt;,&lt;/p&gt;&#13;
&lt;p&gt;Ни трубки модных знатоков&lt;/p&gt;&#13;
&lt;p&gt;Из лож и кресельных рядов&amp;raquo; (7, L, 180)&lt;em&gt;.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;div&gt;&lt;em&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/div&gt;&#13;
&lt;p&gt;&amp;ldquo;No jealous lady trained lorgnette,&lt;/p&gt;&#13;
&lt;p&gt;No modish connoisseur his glasses,&lt;/p&gt;&#13;
&lt;p&gt;To spy on Tanya down below&lt;/p&gt;&#13;
&lt;p&gt;From boxes rising row on row&amp;rdquo; (Chapter 7, Stanza 50, Page 180).&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;laquo;Здесь кажут франты записные&lt;/p&gt;&#13;
&lt;p&gt;Свое нахальство, свой жилет&lt;/p&gt;&#13;
&lt;p&gt;И невнимательный лорнет&amp;raquo; (7, LI, 180).&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&amp;ldquo;Here practised dandies bow and slither&lt;br /&gt;&#13;
&lt;p&gt;To show their gall&amp;hellip;and waistcoats, too.&lt;/p&gt;&#13;
&lt;p&gt;With negligent lorgnettes in view&amp;rdquo; (Chapter 7, Stanza 51, Page 180).&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <text>Double Glass: Лорнет </text>
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              <text>&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;"Reading Fashion"</text>
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              <text>An instrumental part of theatre culture; used to view performances. </text>
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              <text>Elizabeth LaFave</text>
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              <text>Text: Alexander Pushkin;&amp;nbsp;&lt;em&gt;Eugene Onegin&amp;nbsp;&lt;br /&gt;&lt;/em&gt;Image:&amp;nbsp;Красавец мужчина&lt;strong&gt;. &lt;/strong&gt;Русский модник XVIII &amp;ndash; начала ХХ века / Авт. &amp;ndash;сост. Н.М. Виноградова</text>
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              <text>Text: Oxford's World Classics &#13;
Image: M. Исторический музей</text>
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