49 10 581 https://collections.ecu.edu/files/original/22/584/native_russian_2--waistline.png 0d50546e3f217268f68b74ef04665693 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «Кто там в малиновом берете» (8, XVII, 193).  “That lady in the red beret?’” (Chapter 8, Stanza 17, Page 193).  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lady in the Red Beret Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource Onegin glances Tatyana's new city poise. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin Image: Middleton Album; Hillwood Estate, Museum and Garden Publisher An entity responsible for making the resource available Text: Oxford's World Classics beret Tatyana https://collections.ecu.edu/files/original/20/549/Mammoth_OR.jpg 0451cf54af5a351864e3455b2014aba5 https://collections.ecu.edu/files/original/20/549/The_Mammoth_-_Lille_Rhodes.pdf b0c210094c4d08a4bbe0a340ad5fe43a PDF Text Text The Mammoth The Parc de la Ciutadella, located in the Gothic quarter, included the addition of a giant mammoth statue located in the Parc next to the Cascade fountain (Parc de la Ciutadella Information and Pictures). The statue of the great wooly mammoth was built as a symbol and a way to showcase the Catalan culture to the citizens and tourists of Barcelona. Composed of large stone and built to be life-sized, the mammoth statue was introduced to the Parc de la Ciutadella on December 12, 1907 (Hochadel and Valls 2016: 35). The wooly mammoth was chosen as the symbol of the Catalan culture because a few people once found a single tusk of a wooly mammoth fossilized in the ground. This caused many to believe that the mammoths once roamed the lands of Catalonia thousands of years ago. Though the Parc was supposed to be a place that the community could all come together, the creators were scared that people would vandalize and destroy the mammoth. This led the builders to put up a fence around the wooly mammoth statue in order to prevent any vandalism from happening (Hochadel and Valls 2016: 35). The mammoth was meant to be admired and loved instead of an object for people to climb on or ignore. That fence is no longer surrounding the statue and nothing is blocking tourists and children from being around it. The public enjoys playing on and around it and many tourists climb it to take pictures. � https://collections.ecu.edu/files/original/20/549/Rhodes_Lille_Mammoth.m4a 3dc3138913cd2d5fb17da09af1464d77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Mammoth (Parc de la Ciutadella) Subject The topic of the resource The Mammoth (Parc de la Ciutadella) Description An account of the resource The Mammoth is located in the Parc de la Ciutadella, in Barcelona, Spain. Creator An entity primarily responsible for making the resource Lillie Rhodes, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/09/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Available Date (often a range) that the resource became or will become available. 02/09/2017 Barcelona Lillie Rhodes Parc de la Ciutadella Spain The Mammoth https://collections.ecu.edu/files/original/22/581/Nanny.1.JPG f144c85732f8816f5bc25f1c1519be1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «С платком на голове седой, Старушку в длинной телогрейке И всё дремало в тишине При вдохновительной луне» (3, XX, 66). “A kerchief on her grizzled head, Sat nanny in her quilted cassock” (Chapter 3, Stanza 20, Page 66).  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Nanny Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource Tatyana's and Olga's nanny wearing traditional Russian garmets; not subject to Western trends and influences. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin  Image: Костюм в Русский Художественной Культуре Publisher An entity responsible for making the resource available Text: Oxford's World Classics Image: Большая Советская Энициклопедия Nanny Peasantry https://collections.ecu.edu/files/original/20/550/OR_palau_de_la_musica_catalana.jpg 212c681e83aed580e439c6965616e7a4 https://collections.ecu.edu/files/original/20/550/The_Palau_de_la_Musica_Catalana_-_Graziella_Dominado.pdf 55ffdc80dfeba3736b3e80687227b5eb PDF Text Text The Palau de la Música Catalana The Palau de la Música Catalana embodied the zenith of Domènech’s career. Though a mere 15,000 ft², the Palau retains an abundance of color and individuality that paints the walls, its hues “dancing a marvelous dance” (Sastre-Juan and Valentines-Álvarez 2016: 92). Through his building, Domènech links several themes, beginning with the binding of Catalan nationalism and internationalism, evident in the proscenium. The left arch represents “cançó popular,” or songs of the people, whereas the opposite side of the proscenium illuminates música universal and classicalism. These concepts are portrayed through the upper half of Beethoven flanked on either side by two Doric columns, which insert an air of austerity and masculinity to counteract the vibrancy exposed throughout the rest of the building. Domènech also interlaced the old with the new, wielding Gothic stone and glass, mutating them into steel. Although an admirably unique concept, the same steel provoked many pretentious complaints, such as the inability to hear Chopin over the cacophony occurring on the cobblestones outside, voiced by Josep Pla (Hughes 2004: 119). Other disapproval was expressed when Domènech finished his construction, with many doubting its worth of twice its intended budget and naming it the Palace of Catalan Junk (Hughes 2004: 127). In spite of the disputes that came with its erection, the Palau de la Música Catalana has remained true to its name, and continues the motif of Catalan patriotism by embodying the essence and history of Catalan music, its shape created by its citizens’ everyday lives (Ferran and Nieto-Galan 2016: 242). � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Hyperlink A link, or reference, to another resource on the Internet. URL https://www.youtube.com/watch?v=i6pGt42NzcA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Palau de la Música Catalana Subject The topic of the resource The Palau de la Música Catalana Description An account of the resource The Palau de la Música Catalana is located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Graziella Dominado, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/09/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image Date Created Date of creation of the resource. 02/09/2017 Barcelona Graziella Dominado Palau de la Música Catalana Spain https://collections.ecu.edu/files/original/26/835/image06.jpg 0aae3e1dc0b8045e0fe565cad90fbaf5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historic Image Gallery of Kilcolman Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruins of Kilcolman Castle and the Lake, from Alexander Judson, Spenser in Southern Ireland (Bloomington, IN: Principia Press, 1933): 9. Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU https://collections.ecu.edu/files/original/20/551/OR_Replica-Museum-Submarine-Barcelona-Ictineo-Ii-895157.jpg 54e5dd96454b9f99df3a1bfad3255901 https://collections.ecu.edu/files/original/20/551/Submarine_-_Brooke_Palmer.pdf 6c269eaee70c9ba37d18b9a27b52f820 PDF Text Text The Submarine The city of Barcelona was full of dreamers: artists and scientists with an array of ideas that contributed to history and culture. One of these scientists was the famous inventor Narcís Monturiol. While Monturiol did not contribute to Barcelona’s physical landscape and structure, he created the first fully functional submarine to explore the waters of Barcelona: a machine he decided to call Ictíneo. Authors Hochadel and Nieto-Galan claim that Barcelonan history would not be the same, “without accounting for the role of science” (2016: 5). This is especially true in the case of Monturiol’s submarine. His invention opened a whole new world of discovery for the Catalan people and eventually, the world. Especially because Barcelona was not the only European country interested in underwater exploration at the turn of the 1800s. In Barcelona: The Great Enchantress, author Robert Hughes explains that Europeans as a whole “dreamed of probing the depths of the sea” for centuries (Hughes 2004: 88). He goes on to say that this dream came to fruition once Monturiol decided to apply engines to the contraption (Hughes 2004: 89). Not only was this a scientific achievement, it also gave Catalans a sense of pride that one of their own was able to make such a contribution to the scientific world. As the original submarine was unfortunately destroyed, a model and monument of the first submarine, Ictineo I, can be found at the entrance of Barcelona’s Museu Marítim or Maritime Museum in the Gothic Quarter (Narcís). Another monument of the submarine can be found at Plaça de Catalunya in the window of an antique shop (Hughes 2003: 82). This allows for Monturiol’s legacy to be remembered to this day. Institutions around Barcelona such as the Maritime Museum, which displays the submarine, allow “involvement of interested committed and often highly skilled citizens” in order to learn more about Barcelona’s “construction of an �urban culture of natural history” (Hochadel and Valls 2016: 26). While the submarine is not technically something that developed naturally, it did help scientists make more discoveries of the natural world beneath the blue, both at the time it was invented and today as the technologies from the original submarine have been the basis of underwater exploration around the globe. �Works Cited “Narcís Monturiol’s Submarines Ictineo I and II”. Beyond Victorian. 2011, September 25. Web. 2016, November 14. https://beyondvictoriana.com/2011/09/25/93-narcisomonturiols-submarines-ictineo-i-and-ii/ � https://collections.ecu.edu/files/original/20/551/Palmer_Brooke_Submarine.m4a de7f9de08e75d648ec6d0d5cb0dbe36c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Submarine Subject The topic of the resource The Submarine Description An account of the resource The Submarine is located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Brooke Palmer, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/09/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 02/09/2017 Barcelona Brooke Palmer Ictineo I Spain Submarine https://collections.ecu.edu/files/original/22/617/Theatre_Culture--_.jpg f75c2204e4b42b3fdbb1850c8ee272dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «Театр уж полон; ложи блещут; Партер и кресла, всё кипит; В райке нетерпеливо плещут, И, взвившись, занавес шумит. Блистательна, полувоздушна, Смычку волшебному послушна, Толпою нимф окружена, Стоит Истомина; она, Одной ногой касаясь пола, Другою медленно кружит, И вдруг прыжок, и вдруг летит, Летит, как пух от уст Эола; То стан совьёт, то разовьёт, И быстрой ножкой ножку бьёт» (1, XX, 13). “The theatre’s full, the boxes glitter; The restless gallery claps and roars; The stalls and pit are all ajitter; The curtain restless as it soars. And there…ethereal…resplendent, Poised to the magic box attendant, A throng of nymphs her guardian band, Istomina takes up her stand. One foot upon the ground she places And then the other slowly twirls, And now she leaps! And now she whirls! Like down from Eol’s lips she races; Then spins and twists and stops to beat Her rapid, dazzling, dancing feet” (Chapter 1, Stanza 20, Page 13).     Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Theatre Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource A stylish activity of the Russian elite, the theatre was a mainstay in Russian tradition and culture. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin  Image: «Зефир и Флора», Авдотья Истомина Publisher An entity responsible for making the resource available Text: Oxford's World Classics Image: http://www.stranamam.ru/post/6367402/ ballet City salon culture theatre https://collections.ecu.edu/files/original/20/552/OR_Tibidabo.jpg b65580c24b596885ad46058285907658 https://collections.ecu.edu/files/original/20/552/Tibidabo_Park_-_Samuel_Alvarado.pdf 32f788b8bb83184c01d9d9235ebb066c PDF Text Text Tibidabo Amusement Park Tibidabo Amusement Park in Barcelona began as a group venture by the elite to create an exclusionary park for wealthy citizens. This kind of exclusion was sought after in the wake of a city-wide movement for inclusion and more open-area recreational sites for Barcelonans of all ages and incomes. High in the Collserola mountain region of Barcelona, this group began to construct a sort of getaway, complete with expensive eateries, comfortable hotels and high-end amusements away from the hustle and bustle of the city below. By securing ownership of the land, transportation and parks themselves, they were able to produce expensive attractions to which only the upper class had access. Among these mountain parks (Tibidabo, American, Lake Valley, the Rabassada and the Turo Parks) only the Tibidabo Amusement park remains standing today (Sastre-Juan and Valentines-Alvarez 2016: 100). Many factors could be attributed to the impressive lifespan of this historic park. Opened in 1901, it stood atop the Tibidabo mountainside allowing visitors to witness a stunning panoramic view of the city and oceanfront below. To reach the mountainside park, visitors had the opportunity to ride in new forms of transportation: the tram (Tramvia Blau) and the Funicular. These two methods of climbing the mountain were introduced along with the opening of the amusement park. Still in operation today, the tram and Funicular were engineering oddities to the people of Barcelona, and continue to carry that same sense of wonder today. I am sure that simply reading or listening to descriptions of the ride to the top of the mountain could never translate the atmosphere that surrounds this marvelous park, complete with smells of carnival food, screams of joy and breathtaking views of the city of Barcelona. � https://collections.ecu.edu/files/original/20/552/Alvarado-Tibidabo_Audio.mp3 b72d1bf35e77df5161517684d939d14b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibidabo Park Subject The topic of the resource Tibidabo Park Description An account of the resource Tibidabo Park is located North of Barcelona, Spain Creator An entity primarily responsible for making the resource Samuel Alvarado, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/09/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 02/09/2017 Barcelona Samuel Alvarado Spain Tibidabo Tibidabo Amusement Park https://collections.ecu.edu/files/original/27/891/54.jpg 55b8a05660bb3657d1e2d80b46efd639 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tower House and bawn wall. View from west. https://collections.ecu.edu/files/original/27/909/72.jpg 62544625869f63e883cf2d7923f20d4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tower House and front of ground-floor Parlor (on left). A gun-loop can be seen facing the viewer in the side-wall of the Parlor. View from the east.