47 10 581 https://collections.ecu.edu/files/original/20/548/Joan_Fiveller_OR.jpg 814f9670bd64977f60588f48c16e2f04 https://collections.ecu.edu/files/original/20/548/Schunk_Kendall_Statue_of_Joan_Fiveller_Audio.m4a 0603ca2b3d453d0843a907673003df54 https://collections.ecu.edu/files/original/20/548/Statue_of_Joan_Fiveller_-_Kendall_Schunk.1.pdf ea8dd413a6f7ac8e9ef65208411e6e94 PDF Text Text Statue of Joan Fiveller The people of Barcelona have a reputation for political activism, something which is demonstrated by the statue of Joan Fiveller found on the exterior of the Adjuntament, the building that houses the government. This statue was created in the 1850’s. According to Robert Hughes’ book, Barcelona: The Great Enchantress, Joan Fiveller was selected over Hercules to represent the concept of civic strength (Hughes 2004: 16). Fiveller served as a counselor of the city, and when the king of Catalunya and Aragon came to visit Barcelona, Joan asserted that the king and his party should pay taxes on the salt cod they consumed while in the city. Though symbolic, this act garnered him the respect of his fellow Catalonians and sparked the long history of political activism in Barcelona (Hughes 2004: 16). This includes the city going dark in 1878 because they refused to pay the municipal tax on gas, and the very successful tram strike of 1951 against the Franco regime. The citizens of Barcelona have always been unafraid of powerful opposition, for example, according to Antonio Elorza’s chapter on “Regional Autonomy and Cultural Authority” the Franco regime’s desire to muffle all aspects of Catalan culture including language and religion, only served to “bring forward a more radical form of nationalism” (Elorza 1995: 330). This theme of political revolutions has helped to shape modern Catalan culture, one of the most influential instances can be found in the introduction of Teresa Vilarós’s chapter, the Setmana Tràgica or tragic week most notably, “the anarchist bombings of the Liceu- Barcelona’s Opera House” (Vilarós 1999: 43). Joan Fiveller’s statue outside of the Adjuntment is a monument that exemplifies the everlasting revolutionary values of Catalan culture. 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of Joan Fiveller Subject The topic of the resource Statue of Joan Fiveller Description An account of the resource The Statue of Joan Fiveller is located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Kendall Schunk, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/09/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 02/09/2017 Barcelona Kendall Schunk Spain Statue of Joan Fiveller https://collections.ecu.edu/files/original/27/923/86.jpg 300d3976f0b437dd7b81fbbfaece5036 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stone's-eye view from machicolation. https://collections.ecu.edu/files/original/27/924/87.jpg 09f52ac867128480ab9dc31481082749 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stone's-eye view from machicolation. https://collections.ecu.edu/files/original/34/994/MaxKilgore2.png 04242a76b441eceaedf1cf79acc5289e https://collections.ecu.edu/files/original/34/994/MaxKilgore2.1.m4a 767d78260237533f1f63d1eb8a2c7bce https://collections.ecu.edu/files/original/34/994/PalermoStreetArtMaxKilgore.pdf 8915ea689fab87ad72f2bd067f4cab8a PDF Text Text Street Art in Buenos Aires The streets of Palermo are littered with the sight of what we in America know as graffiti. However, unlike in the United States, in the city of Buenos Aires graffiti is legal and, in many cases, it is not only sanctioned by the government but encouraged. In Buenos Aires, graffiti is more commonly referred to as street art and takes on a much more positive connotation than it does in other countries. That is because after the country was hit with a financial crisis in 2001, crime started to become more prevalent in the inner city. Years later, in an attempt to revitalize areas like Palermo, the city hired artists to paint murals around the city on empty buildings in hopes of boosting the moral of citizens on their ways to work or school. This idea paid off and soon street art became a growing trend in Buenos Aires, adapting and changing with the times. Artists began to develop many different styles such as murals, tags, and stencils. Street art has become a staple piece of not only Palermo but Buenos Aires as a whole and showcases some of the best art the world has to offer. � https://collections.ecu.edu/files/original/34/994/Wall_art_Te_amo_BA.jpg ed7a368c1a6cf6c8019cb63139e11702 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Art in Palermo, Buenos Aires Subject The topic of the resource Street of Palermo in Buenos Aires Creator An entity primarily responsible for making the resource Max Kilgore, Brandon Sugg https://collections.ecu.edu/files/original/34/987/StreetArtGarrettReid.pdf 20a9eb260e9f1740508f6d6e49cba89c PDF Text Text Originally a tool used for spreading political messages, street art in Argentina has evolved into an often legal, sometimes even government sanctioned, form of artistic expression. Some of the best of this can be seen in the Palermo district. Palermo is the largest neighborhood in Buenos Aires, and also serves as a center of creativity and local culture. The talent on display here has drawn eyes from all over the world, with Huffington Post listing Buenos Aires as one of the top cities to see urban art. Since the neighborhood is one of the primary destinations for both locals and tourists, Palermo needed to look as vibrant and eye-catching as the cultural gems found within, and to achieve this, Buenos Aires chose to use street art. Owners of stores, bars, and restaurants hired artists to pull interest towards their businesses. Even some homeowners turned their house into a canvas. Along with these personal requests, the government paid for commissions on publicly owned spots as well, like the fully decked out Palermo subway station. All over the neighborhood, you can see murals, tags, plasters, and many other types of street art, so throughout your travels, it’s definitely worth it to keep an eye open when around Palermo, as you never know what unexpected things you might find. � https://collections.ecu.edu/files/original/34/987/StreetArtGarrettReid.2.mp4 027daf70030a6f36b15deda6959fedc3 https://collections.ecu.edu/files/original/34/987/StreetArtBuenosAires.jpg ad6ec43a190a08e1c959a4ecb67e0008 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Art, Buenos Aires Subject The topic of the resource Street art used to decorate Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/22/591/W3.png 8834dab97f8371057551904a4f5e1d57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «Как он, она была одета Всегда по моде и к лицу; Но, не спросясь её совета, Девицу повезли к венцу» (2, XXXI, 50).  “About her clothes one couldn’t fault her; Like him, she dressed as taste decreed. But then they led her to the altar And never asked if she agreed” (Chapter 2, Stanza 31, Page 50).  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stylish Bride and Groom Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource Although stylish, the bride still did not have a right to choose her own groom. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin Image: Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century Publisher An entity responsible for making the resource available Text: Oxford's World Classics Image: Vivays Publishing bride groom https://collections.ecu.edu/files/original/30/959/Summary_Presentations_for_CS.docx 86e9df0f7989a2255593404b7f9813c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Overview for Centering Spenser  Creator An entity primarily responsible for making the resource Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summary Presentations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summer 1587 Subject The topic of the resource Summer Description An account of the resource Spenser spends the summer in Cork, Kilmallock, and Clonmel. (Maley, 45) https://collections.ecu.edu/files/original/22/631/Screen_Shot_2017-10-14_at_10.12.17_PM.png 24ae11e92156e60a1d2094ac3f5a5d5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tatyana Style Screenshot Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource Screenshot of Neatline exhibit of 'Tatyana Style'. Creator An entity primarily responsible for making the resource Elizabeth LaFave Tatyana https://collections.ecu.edu/files/original/22/585/Womens_fashion_3--1820s.png ed902bb80638a4bd2baff3073bbc235b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «Кто прежней Тани, бедной Тани Теперь в княгине б не узнал! В тоске безумных сожалений К её ногам упал Евгений; Она вздрогнула и молчит, И на Онегина глядит» (8, XLI, 207).  “And in the princess then, who wouldn’t Have known poor Tanya from the past! Mad with regret and anguished feeling, Eugene fell down before her, kneeling; She shuddered, but she didn’t speak, Just looked at him—her visage bleak” (Chapter 8, Stanza 41, Page 207).   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tatyana's Commitment Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource Onegin confesses his love for Tatyana. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin Image: Middleton Album; Hillwood Estate, Museum and Garden Publisher An entity responsible for making the resource available Text: Oxford's World Classics love Onegin Tatyana