35 10 581 https://collections.ecu.edu/files/original/27/914/77.jpg 2a77a05987bac6ef439423421bb88d83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Machicolation https://collections.ecu.edu/files/original/27/915/78.jpg 5a5fd856804ca5c781e7f967ef202ecc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Machicolation https://collections.ecu.edu/files/original/27/916/79.jpg cc792525a29d7037ec44469f2ac3d267 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Machicolation https://collections.ecu.edu/files/original/27/917/80.jpg 44896344ebc998fc3d00118620d11edf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reconstructed Kilcolman Gallery Source A related resource from which the described resource is derived Dr. Thomas Herron, ECU Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Machicolation https://collections.ecu.edu/files/original/22/605/Red_heel.png 321c4a5bb98851ec79abbed3015c9ece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia Subject The topic of the resource The importance of fashion in XIX Century Russian Literature, with referene to Eugene Onegin.  Description An account of the resource Images to match citations, revealing the significance of evolving Russian fashion during the period of Eugene Onegin.  Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived  (English) Bernstein, Aline. Masterpieces of Women's Costume of the 18th and 19th Centuries. Mineola, NY: Dover Publications, 2001. Efimova, L. V., and T. S. Aleshina. Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century. London: Vivays Pub., 2011. Hahn, H. Scenes of Parisian Modernity. New York: PALGRAVE MACMILLAN, 2016. Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1996. Pushkin, Alexander. Eugene Onegin: A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.  Ribeiro, Aileen. The Art of Dress: Fashion in England and France, 1750-1820. London: Yale University Press, 1995. Salmond, Wendy R., et al. Konstantin Makovsky: The Tsars painter in America and Paris. Washington, D.C., Hillwood Estate, Museum & Gardens, 2015. Takeda, Sharon Sadako., et al. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles County Museum of Art, 2016.   (Russian) Кирсанова Р. М. Костюм в русской художественной культуре. М.: Большая Советская Энциклопедия, 1995. Лотман Ю. М. Роман А. С. Пушкина “Евгений Онегин”: Комментарий // Лотман Ю. М. Пушкин: Биография писателя; Статьи и заметки, 1960-1990; “Евгений Онегин”: Комментарий. - СПб.: Искусство-СПб, 1995. С. 472-762. Лотман, Юрий. Беседы о русской культуре. СПб.: Искусство-СПб, 1994.  Русская культура. М.: Белый город, 1995. Пушкин А. С. “Евгений Онегин”// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.   Date A point or period of time associated with an event in the lifecycle of the resource Spring 2016 Rights Information about rights held in and over the resource Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. All rights belong to their respective owners. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document «Со славой красных каблуков И величавых париков» (4, I-VI, 85). “Amid our forbears’ vaunted day; The fame of Lovelaces as faded—Along with fashions long since dead: Majestic wigs and heels of red” (Chapter 4, Stanza 1-6, Page 85).    Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Majestic Heels of Red Subject The topic of the resource Eugene Onegin: "Reading Fashion" Description An account of the resource A popular shoe choice for women in the nineteenth century, associated with traditional Russian boots made of red leather. Creator An entity primarily responsible for making the resource Elizabeth LaFave Source A related resource from which the described resource is derived Text: Alexander Pushkin; Eugene Onegin  Image: Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century Publisher An entity responsible for making the resource available Text: Oxford's World Classics Image: Vivays Publishing heels shoes women https://collections.ecu.edu/files/original/34/999/MALBAMuseumBriannaPlumb.1.JPG 10d902af00e36d426dc586423b552150 https://collections.ecu.edu/files/original/34/999/MALBAMuseumBriannaPlumb.docx 011183350a41b1f01d003ca33bdcbda1 https://collections.ecu.edu/files/original/34/999/MALBAMuseumBriannaPlumb.2.m4a b605358277f8eff70ae3b2696e1b9bcf https://collections.ecu.edu/files/original/34/999/MALBAMuseumBriannaPlumb.3.pdf 647f4f66a3d234a0c0d3d902d8fc8e73 PDF Text Text MALBA Museum The Museo de Arte Lationoamericano de Buenos Aires, otherwise known as the MALBA Museum, is located on Figueroa Alcorta Avenue in the neighborhood of Palermo. This memorable museum is run by Fundación MALBA, a nonprofit organization whose president, Eduardo Costantini, established the museum on September 20, 2001. The design of the building was created through a contest where 450 proposals were submitted for review. The candidates of the proposals were from 45 different countries; however, first place was awarded to three young architects from Argentina. The goal for the museum is to research, collect, promote, and preserve Latin American art from the start of the twentieth century to the present. The artwork held in this museum is focused around the Costantini Collection and continues to add works from modern, Latin American, artists. Moreover, the museum hosts art and film exhibitions as well as cultural activities. The museum educates the public on a variety of Latin American artists and their unique art styles. Receiving over a million visitors annually, the MALBA Museum is loved by art enthusiasts across the globe. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MALBA Museum, Buenos Aires Subject The topic of the resource The MALBA Museum in Buenos Aires Creator An entity primarily responsible for making the resource Brianna Plumb, Brandon Sugg https://collections.ecu.edu/files/original/6/27/manifeste_de_la_femme_futuriste.docx 98d8fd746e252dbbc009a592e1ad1874 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Futurism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manifeste de la Femme Futuriste Subject The topic of the resource Les Rôles Stéréotypés Description An account of the resource Manifeste de la Femme Futuriste: Les Rôles Stéréotypés Le texte, <<Manifeste de la Femme Futuriste>>, pousse l'idée que ni les hommes ni les femmes ne sont supérieures les uns aux autres. Selon une citation directe du texte, <<la majorité des femmes n'est ni supérieure inferieure a la majorité ni des hommes (Saint Point,7). <<Toutes deux sont égales>> (Saint Point, 7). Ce n’est cependant pas le seul argument avancé. Dans le texte, elle déclare qu’il est important que les hommes et les femmes n’aient pas des rôles assignés dans la société. Dans la société, les hommes sont censés à se comporter d'une certaine manière, et les femmes sont appelés à agir d'une certaine façon ainsi. Le texte indique que la société forcé les gens à assumer des rôles stéréotypés. Une autre citation dans le texte <<Manifeste de la Femme Futuriste>>, Saint Point décrit la division immoral contre les hommes et les femmes. Elle écrit <<il est absurde de diviser l’humanité en femmes et en hommes (Saint Point,8).>> Elle croit qu’un héros n’a pas seulement les qualités d’un personne masculine. Cette idée est un stéréotype typique. Une personne qui désire faire une différence doit exprimer d’éléments d’une personne masculine et féminine. Elle écrit que pour une personne être complet, ils doivent posséder d’éléments de féminisme et masculin. << Un individu exclusivement viril, n’est pas une brute ; un individu, exclusivement féminin, n’est qu’une femelle>> (Saint Point, 8). Cette citation déclare que c’est injuste qualifier les personnes parce qu'ils ont l’air une façon certaine. Si une personne semble être très grande et forte, cela ne signifie pas qu'ils sont une personne violente. Si une personne est faible, cela ne signifie pas qu'elle est une femme. La <<Manifeste de la Femme>> n’est pas seulement s’agit de les également entre les hommes et les femmes. La citation prouve que le futur du féminisme et également mettre l'occasion d’adopter les rôles différent, pas seulement les rôles que votre propre sexe devrait suivre. Saint Point écrit que la société est composée d'éléments de la masculinité et de féminité. Cela est évidemment très commun. Mais elle affirme que l'humanité ne peut pas être divisée entre les hommes et les femmes. Un sexe ne peut pas être placé au-dessus de l'autre comme s'il était supérieur. Saint Point écrit, << Toute femme doit posséder non seulement des vertus féminines, mais des qualités viriles, sans quoi elle est une femelle (Saint Point, 9). >> Les femmes ne doivent pas avoir pas seulement adopté les qualités de féminismes. La citation indique que les femmes peuvent assumer des rôles de la masculinité. Elles ont été condamnées par les stéréotypes de la société pour des milliers d'années. <<Le Manifeste de la Femme Futuriste>> veut leur faire sortir de ces rôles, et de s'adapter plus masculins ses qualités ainsi. Le texte donne beaucoup d’exemples de femmes qui adoptent les positions de dirigeant. Les Jeanne d’Arc, les Jeanne Hachette, les Judith, les Cléopâtre et Les Messaline. Toutes ces femmes ont lutté les guerres que seuls les hommes étaient censés combattre. Ces femmes sont capables d'être des héros. Dans leur temps, c'était du jamais vu pour une femme d’assumer des rôles de dirigeant. Elles ont été forcées à ces rôles que la société leur avait donnés. Ils ont été stéréotypés parce qu'elles étaient des femmes, et le monde croient qu'ils pourraient ne pas prendre plus de rôles masculins. Un thème important dans le <<Manifeste de Saint Point>> est égalité. Le texte décrit des stéréotypes de femmes, et piégés dans des rôles féminins pour des milliers d'années. Elles peuvent être chefs, et elles peuvent être soldats. Les rôles stéréotypés masculins, peuvent maintenant être assumés par les femmes aussi bien dans l'avenir. Le texte montre que les femmes peuvent être tout aussi puissantes que les hommes, physiquement et émotionnellement. Comment pouvons-nous changer ces stéréotypes que le mode donne les deux, les hommes et les femmes ? Les idées de Saint Point dit qu’il est nécessaire qu’enseigner les égalités. Selon le texte, c’est important que toutes les femmes comprennent féminisme parce que si elles ne sont pas adopte de nouveaux et plus rôles masculin, elles seront condamnés à la domestication et l’inégalité. Creator An entity primarily responsible for making the resource Ronnie Rizek Date A point or period of time associated with an event in the lifecycle of the resource 1912 https://collections.ecu.edu/files/original/20/530/Screen_Shot_2017-02-01_at_12.45.43_PM.png 21d87e1f537c479469001eb80a2b1dfc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource March 29 1592 Subject The topic of the resource March 29 Description An account of the resource Spenser paid £5.15s.10d. to the crown for rent of Kilcolman. (Hadfield, 290) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spenser in Ireland Subject The topic of the resource Spenser in Ireland Description An account of the resource Spenser's time in Ireland Creator An entity primarily responsible for making the resource Sarah Parrish Date Created Date of creation of the resource. 4-16-18 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. “Biography.” Spenser Online, http://www.english.cam.ac.uk/spenseronline/scholarly-resources/biography/. Accessed March 2018. Hadfield, Andrew. Edmund Spenser: A Life. Oxford UP, 2012. Judson, Alexander C. The Life of Edmund Spenser. Edited by Greenlaw, E., Osgood, C.G., Padelford, F.M., Heffner, R.Oxford UP, 1945. Maley, Willy. A Spenser Chronology. MacMillian, 1994. Spenser, Edmund. Selected Letters and Other Papers. Edited by Christopher Burlinson and Andrew Zurcher, Oxford UP, 2009. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource March 1 1581 Subject The topic of the resource March 1 Description An account of the resource Letter endorsed by Spenser, from Dublin. This letter demonstrates the military and logistical links between events in Ireland and the Netherlands, and also an attempt to resolve the consequences of the discharge of soldiers earlier that year. It also provides an example of Grey attempting to smooth his way with the Privy Council and the Queen by working through his chief sympathetic contact at court, Sir Francis Walsingham. (CSPI 81.1; Maley, 17) (TNA: PRO SP 63/90/1; Burlinson and Zurcher, 169)