24 10 581 https://collections.ecu.edu/files/original/11/72/FREN3560surrealiste.docx b5489dc0835f055e082909fb41a31811 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surrealism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les images pas typiques de l’amour dans la poésie de Paul Éluard Creator An entity primarily responsible for making the resource Emma Hurlbert Abstract A summary of the resource. Dans son œuvre « Capitale de la douleur, » Paul Éluard commence sa carrière dans poésie avec les poèmes qui explique l’amour dans les termes bizarres et les images obscures. L’utilisation de surréalisme dans ses œuvres fait le lecteur se demande si les personnages sont réel ou part d’un monde du rêve. Je vais analyse trois poèmes de l’amour vers les descriptions pas typiques. Dans son poème, « L’amoureuse » décrit une femme, mais dans une façon peu conventionnelle. Le premier strophe, « Elle est debout sur mes paupières Et ses cheveux sont dans les miens, Elle a la forme de mes mains, Elle a la couleur de mes yeux, Elle s’engloutit dans mon ombre Comme une pierre sur le ciel », crée l’idée que cette femme est une fantôme parce qu’elle fait les choses une vrai personne ne peut pas faire. Elle devenu la forme de ses mains, elle n’est pas solide, et elle disparaît dans son ombre, donc comme une fantôme disparaît quand le personne ne regarde pas. Ces images d’une femme sont peut-être juste une réflexion de soi-même ; les cheveux de la femme est aussi dans ses cheveux, elle réfléchie dans le couleur de ses yeux. « La courbe de tes yeux, » peut-être décrire une personne qui est morte. L’image de l’auréole et les ailes est expliquée un ange, « Ailes couvrant le monde de lumière. » La brillance est souvent utilisée de décrire un ange. « Comme le jour dépend de l’innocence Le monde entier dépend de tes yeux purs » l’idée de pureté et l’innocence est considéré nécessaire pour gagner l’entrance dans paradis. Le sujet de ce poème semble mort, et Éluard le fait un ange parce qu’elle est pure et gentille. Aussi un image étrange est « La courbe de tes yeux » parce que c’est un angle que beaucoup des peuple ne regard pas dans ses amants. Il répète les formes ronds dans ce poème : la courbe, un rond de danse, l’auréole. Il donne le poème l’impression de douceur et d’essence de paradis. Dans un autre livre d’Éluard, « Le Phénix », il écrit le poème « Je t’aime » dans quel il parle de femmes et l’amour qu’il ne se sent pas pour elles. « Pour l’odeur du grand large et l’odeur de pain chaud Pour la neige qui fond pour les premiers fleurs », il préfère de sentir le mer et le frais pain, et quand il regard le frais neige, il pense des fleurs de printemps. « Je t’aime pour aimer Je t’aime pour toutes les femmes que je n’aime pas » il aime ces choses et ces personnes parce qu’il n’a pas tout d’aimer vraiment. Éluard aussi utilise beaucoup de répétition dans ce poème pour exagérer son but, qu’il n’aime rien en réalité. Il juste veut de se sentir l’émotion qu‘il pense l’amour doit être (comme l’odeur du mer ou le frais pain.) Paul Éluard utilise beaucoup des images qui semblent comme les métaphores mais dans le surréalisme, les idées confuses sont dans le même espace de réalités. Le surréalisme voit le monde vers le verre d’étrangeté. Éluard exprime ses sentiments dans un nouveau et diffèrent façon juste comment les surréalistes veut l’amour d’être, innovant et créatif. https://collections.ecu.edu/files/original/34/980/garrettreid1.jpg 8da727fc52656c88ca7966c448602e19 https://collections.ecu.edu/files/original/34/980/recoletagarrettreid.pdf 201cb41e81e60965bdff336472ce907b PDF Text Text Recoleta is a beautiful neighborhood with French-inspired architecture, the enormous recoleta cemetery, peaceful parks, historical governmental buildings, and large avenues filled with a wide selection of stores and restaurants. The bars provide opportunity for an energetic nightlife while the museums and plazas make a great place to bring children for the day. The entire neighborhood is a great way to experience what Buenos Aires has to offer. If you can make it there on a weekend, you’ll find fairs and markets with local crafts and products. Apart from unique and exotic products, it also provides a chance to talk with some very interesting people. Specifically, the one in plaza Francia was magnificent. My favorite spot in Recolecta is a shopping mall that my friends and I found while wandering the avenue Santa Fe. The mall has a skatepark aesthetic, and is decorated with stickers, spray paint, and posters. The mall has shops full of alternative clothing, graphic shirts, and musical memorabilia. It even has two tattoo and piercing shops! No matter what you’re looking for, you can find it in Recoleta. Natural Argentine beauty, interesting people, exciting shops, and restaurants and bars filled with new experiences waiting to be had. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recoleta, Buenos Aires Subject The topic of the resource Neighborhood of Recoleta Creator An entity primarily responsible for making the resource Garret Reid, Brandon Sugg https://collections.ecu.edu/files/original/34/987/StreetArtGarrettReid.pdf 20a9eb260e9f1740508f6d6e49cba89c PDF Text Text Originally a tool used for spreading political messages, street art in Argentina has evolved into an often legal, sometimes even government sanctioned, form of artistic expression. Some of the best of this can be seen in the Palermo district. Palermo is the largest neighborhood in Buenos Aires, and also serves as a center of creativity and local culture. The talent on display here has drawn eyes from all over the world, with Huffington Post listing Buenos Aires as one of the top cities to see urban art. Since the neighborhood is one of the primary destinations for both locals and tourists, Palermo needed to look as vibrant and eye-catching as the cultural gems found within, and to achieve this, Buenos Aires chose to use street art. Owners of stores, bars, and restaurants hired artists to pull interest towards their businesses. Even some homeowners turned their house into a canvas. Along with these personal requests, the government paid for commissions on publicly owned spots as well, like the fully decked out Palermo subway station. All over the neighborhood, you can see murals, tags, plasters, and many other types of street art, so throughout your travels, it’s definitely worth it to keep an eye open when around Palermo, as you never know what unexpected things you might find. � https://collections.ecu.edu/files/original/34/987/StreetArtGarrettReid.2.mp4 027daf70030a6f36b15deda6959fedc3 https://collections.ecu.edu/files/original/34/987/StreetArtBuenosAires.jpg ad6ec43a190a08e1c959a4ecb67e0008 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Art, Buenos Aires Subject The topic of the resource Street art used to decorate Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/34/1000/AteneoGrandSplendidGarrettReid.1.jpg c6eaf40c9d5ef140ac8da3e6f5121c51 https://collections.ecu.edu/files/original/34/1000/AteneoGrandSplendidGarrettReid.docx e417c6899645ece933e2dce4b805ea3b https://collections.ecu.edu/files/original/34/1000/AteneoGrandSplendidGarrettReid.2.m4a 256db42219257296337355c1b293a3d8 https://collections.ecu.edu/files/original/34/1000/AteneoGrandSplendidGarrettReid.3.pdf 99f260f9684503ebfd6354eb0a73af65 PDF Text Text Named the world’s most beautiful bookstore by National Geographic in 2019, the Ateneo Grand Splendid is a spectacle of literature, architecture, and art. Originally designed to be a tango theatre in 1919, the building is remarkable for its painted ceilings, sculpted columns, and embellished architecture. During the building’s time as a theater, it was known as the Teatro Gran Splendid and hosted some of the most prominent names in Tango history, like Carlos Gardel and Robert Firpo. The theatre would come to serve as a tango recording studio as well, before being converted into a film cinema in the twenties. The first movies with sound shown in all of Argentina were shown in the Gran Splendid in 1929. Over 70 years later, Grupo Ilhsa, owner of Yenny libraries, the Ateneo chain, and more, leased the building in 2000. The building was once again converted to fit a new purpose- this time becoming the flagship store of the chain. Under architectural supervision, the cinematic seating was replaced with shelving and reading nooks, and a modern café was built on the stage. While modern features have been added, the original style and beauty remain, leading to a one-of-the-kind shopping experience. Whether you’re interested in looking through the thousands of books the store stocks, sipping a cappuccino at the café, or simply walking through the historical building, the Ateneo Grand Splendid is a top-pick when touring Buenos Aires. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ateneo Grand Splendid, Buenos Aires Subject The topic of the resource The Ateneo Grand Splendid bookstore in Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/34/1002/EstanciaDonSilvanoGarrettReid.jpg 33f605c734516585b7f0d0f4dddb41e4 https://collections.ecu.edu/files/original/34/1002/EstanciaDonSilvanoGarrettReid.1.docx 45059888eb72479459c0f4776b8e8c7f https://collections.ecu.edu/files/original/34/1002/EstanciaDonSilvanoGarrettReid.2.m4a e251b6a9f5f68b4b9c32cde3c5066b74 https://collections.ecu.edu/files/original/34/1002/EstanciaDonSilvanoGarrettReid.3.pdf 9335385c39bc3ad0fde88b6561e2c691 PDF Text Text The Estancia Don Silvano offers guests the opportunity to experience a taste of the gaucho lifestyle. A true ranch, the Don Silvano showcases standard animals like horses, pigs, and sheep, while also displaying more exotic animals like peacocks, flamingo, parrots, and more! Guests can also expect shows of Gaucho skill, horseback riding, a ropes course and zipline, and a show of folk music and dance. To display their horseback riding proficiencies, the ranch’s gauchos race, demonstrate traditional hunting methods, and compete in a historical horseback test of skill previously used to prove a rider’s eligibility as a suitor. This event is an unforgettable showing of style, fun, and flair. Guests, inspired by the riders’ skill or otherwise interested, can try their hand at horseback riding on some of the ranch’s beautiful horses. Although not as high-speed as the ride of the guachos, the horses take a path that offers new and fantastic views of the Estancia Don Silvano. Thrill-seeking guests can have their fun on the the ropescourse, which offers guests a bird’s eye view, as well as the opportunity to zipline back down to the ground below. Then at lunchtime is the traditional folk-music show, including beautifully performed songs and dances. During the show, guests will be served an Argentine barbecue lunch including cuts of meat, traditionally prepared potatoes, artisanal bread, and more! For a great all-day ranch excursion, the Estancia Don Silvano is for you. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Estancia Don Silvano, Buenos Aires Subject The topic of the resource The Estancia Don Silvano "Ranch" in Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/34/1004/GarrettReid3.jpg 0cc8c2218cb9e1a47931adf5677c3bb8 https://collections.ecu.edu/files/original/34/1004/GarrettReid3.1.m4a 3668a2ac4f7b63ab3c6e104ecde5e3c9 https://collections.ecu.edu/files/original/34/1004/GarrettReidRosedaldePalermo.docx 97d7b99ff7e75db73a562500220b6f1a https://collections.ecu.edu/files/original/34/1004/GarrettReidRosedaldePalermo.1.pdf 396dbebb59c16ff37bcc3e7cdb751a75 PDF Text Text The Rosedal de Palermo is one of the most popular parks in Buenos Aires due to its beauty, size, and historical significance. Originally the site of past Argentina president Juan Manuel de Rosas’ country home, the garden has been a public landmark since his defeat in battle on February 3rd, 1852. The significance of this date was cemented into the park through its name, Parc 3 de Febrero. Created in 1912, the garden was designed by Charles (Carlos) Thays and his student Benito Carrasco. Their design features an amphitheater, an Andalusian terrace, and a special garden dedicated to legendary writers and poets, including stone busts of 26 great literary figures. The primary attraction, however, is the collection of over 18,000 roses covering acres of land. With over 1,000 different species of roses on display, the garden is truly a sight to behold. If those features weren’t enough, bordering the floral canvas that is the Rosedal, is a beautiful lake that surrounds the majority of the garden, making the view from the outside as magical as the ones found within. While the garden is a paradise at any time of the year, visiting in July might earn you free flowers and cuttings, as the garden is pruned during this month. The garden is an oasis of green in the bustling Palermo neighborhood, and is a must-see attraction for all. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rosedal de Palermo, Buenos Aires Subject The topic of the resource The Rosedal de Palermo Park in Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/34/1005/FeriadeMataderos.jpg a19734a58702d091bced2040f9fd5e0b https://collections.ecu.edu/files/original/34/1005/FeriadeMatederosGarrettReid.docx bc0585e97a7c2e290ff2c9e28b5e3110 https://collections.ecu.edu/files/original/34/1005/FeriadeMatederosGarrettReid.1.mp4 f436c9b967ce8e9a202d6f880103cb3d https://collections.ecu.edu/files/original/34/1005/FeriadeMatederosGarrettReid.2.pdf 300f0a158aec35b2105ab57a082984c5 PDF Text Text The Feria de Mataderos is an opportunity to bring some of the country lifestyle into the city. Like many other fairs in Buenos Aires, it is an open market filled with exotic and artisanal products, and occurs every Sunday. In some cases, the Feria de Mataderos has had over 700 stands selling these goods, with around 15,000 people (locals and tourists alike) experiencing the fair. At the fair you can expect to see mate, clothing, jewlrey, musical instruments, art, and handmade goods. Along with the crafts, the Feria also has a good selection of food, with stands offering empanadas, choripan, locro, and more. While you eat, you’ll likely be able to see a cultural show, such as regional music and dance or displays of gaucho (or cowboy) related abilities. What separates the Feria de Mataderos from the other fairs you might come across is the authenticity. Only a small percentage of tourists make their way to the fair, making it a mostly unaltered experience of the culture. This also affects the entire atmosphere, as the locals are frequently as excited to be there as the tourists. This energy and authenticity is what makes the fair such a great destination. Whether you’re interested in shopping, eating, or just absorbing the culture, the Feria de Mataderos is a great event to attend. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Buenos Aires Subject The topic of the resource Digital Buenos Aires Description An account of the resource Digital Buenos Aires Creator An entity primarily responsible for making the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Contributor An entity responsible for making contributions to the resource Irina Swain, Brandon Sugg, Laura Levi Altstaedter, Magali Krosl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Feria de Mataderos, Buenos Aires Subject The topic of the resource The Feria de Mataderos fair in Buenos Aires Creator An entity primarily responsible for making the resource Garrett Reid, Brandon Sugg https://collections.ecu.edu/files/original/20/532/CasaBatllo_0170_OR.JPG 18a64b67e1c32e5299a5329395bf58e0 https://collections.ecu.edu/files/original/20/532/Casa_Mila_OR.jpg 13821062f277309e695c711b6afb2dc2 https://collections.ecu.edu/files/original/20/532/Casa_Mila.png 643f020ed4070ff85917095f2f56f54a https://collections.ecu.edu/files/original/20/532/Langley_Grace_Casa_Batllo_Casa_Mila.m4a 4c90c2473a50849ebb0b21250e9ca067 https://collections.ecu.edu/files/original/20/532/Casa_Batllo_Casa_Mila_-_Grace_Langley.pdf 515c6f3c12ef5a8e99e8fea1ac2c8a0f PDF Text Text Casa Batlló and Casa Milà The Casa Batlló was a renovation done by Antonio Gaudí of a preexisting apartment building, although little was left besides the ground levels. The building can be described as “a five-story crust of shifting, aqueous color” with a roof decorated with “giant ceramic scales” (Hughes 2004: 143). All of these characteristics come to life in Hiroshi Teshigahara’s film Antonio Gaudí (1984). The film only shows the exterior of the building, however, the influence of nature in Gaudí’s work can be identified through his use of color, misshapen balconies and arches. Further down the street, the Casa Milà came into view as competition for the Casa Batlló. In contrast to Casa Batlló, Casa Milà “was designed from the ground up not adapted from an existing building” (Hughes 2004:145). Antonio Gaudí was granted complete design autonomy of the building and, as a result, Gaudí created “a sea cliff with caves in it for people” (Hughes 2004:145). The balconies resemble the seafloor and the columns on the roof look like “eye sockets of a Cyclopean head” (Hughes 2004:145). The strange beauty that Gaudí created can also be seen in Teshigahara’s film. In the film, the deep sea is translated into architectural form through the sight of Gaudí’s work. Gaudí’s style strayed from the conventions of traditional beauty. No other architect at the time would have dared to attempt to use creativity on such an extreme level. However, Gaudí perfected nonconventionality seamlessly. Overall, both pieces were magnificent in their own right and represented Gaudí’s contributions to Barcelona’s Renaixença. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa Batlló and Casa Milà Subject The topic of the resource Casa Batlló and Casa Milà Description An account of the resource The Casa Batlló and Casa Milà are located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Grace Langley, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/06/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image, Sound Date Created Date of creation of the resource. 02/06/2017 Barcelona Casa Batllo Casa Mila Grace Langley Spain https://collections.ecu.edu/files/original/20/562/Monjuic_OR.jpg fb5b89b2960a235551f7d0c9ace339a8 https://collections.ecu.edu/files/original/20/562/Grace_Langley_-_Monjuic_Hill.pdf 200865d6bbc62a7fde26116d90278e05 PDF Text Text Montjuïc Montjuïc hill is located towards the center of Barcelona in a very popular area of the city. The site was used for “expressions of self-managed fun by the working class, such as picnics by the many wells (known as fontades) or popular dancing” (Sastre-Juan and Valentines-Álvarez, 2016: 107). The popularity of the area made Montjuïc hill the perfect place to introduce new, more technological modes of fun and entertainment through urbanization and modernization. In addition to introducing technology as a source of entertainment, the urbanization of the hill was also meant to promote the use of electric light. The urbanization of Montjuïc hill was part of the 1929 International Exhibition, which included the modernization of many other sites. One of the most famous engineers in Catalonia, Marian Rubió, and his two sons, Nicolau and Santiago Rubió, oversaw, planned, and executed the urbanization of the hill with the assistance of other engineers and architects. The project included mechanical rides, a funicular railway, pavilions, and an “electric magic fountain” (Ferran and Nieto-Galan 2016: 223). Montjuïc hill would become one of the final pieces of the ‘technological fun belt’. The ‘technological fun belt’ included “the Parc de la Ciutadella in the eastern part of the old city center, the Collserola mountain in the northern part of the new expanded city, and finally the Montjuïc hill in the western part” (Sastre-Juan and Valentines-Álvarez, 2016: 95). The introduction of new technological fun played a key role in the overall urbanization of the city. Montjuïc hill remains a significant artifact today marking the cultural transformation of Barcelona. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Montjuïc Subject The topic of the resource Montjuïc Description An account of the resource Montjuïc Hill is located in Barcelona, Spain Creator An entity primarily responsible for making the resource Grace Langley, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/16/2017 Rights Information about rights held in and over the resource Creative Commons Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Still Image Date Created Date of creation of the resource. 02/16/2017 Barcelona Grace Langley Monjuïc Hill Spain https://collections.ecu.edu/files/original/20/535/Calle_Asalto.jpg 10168593b585a0674f8b2bf84ad77d34 https://collections.ecu.edu/files/original/20/535/Conde_de_Asalto_-_Grace_Langley.pdf fd01857f72eb9933a43620c450a70a5d PDF Text Text 1 Conde de Asalto One of the main geographical features in El Barrio Chino is the Conde de Asalto. The Conde de Asalto is like a man-made river with constant foot traffic that connects the Rambles with the Parallel. The ‘river’ grants access to many of the houses, businesses, and clinics throughout El Barrio (Zarzoso and Pardo-Tomás 2016: 171). The presence of clinics along this river increased as the concept of social medicine became more popular. Social medicine is the commitment of physicians to provide necessary medical attention to deprived urban areas. The Conde de Asalto and El Barrio Chino lack sanitation regulations and public healthcare necessary for preventing illnesses and diseases. “The search for […] better hygienic conditions prompted some enterprising Barcelona surgeons” to transform the Conde de Asalto through the installation of clinics (Zarzoso and Martínez-Vidal 2016: 76). The clinics are necessary for providing adequate treatment to the natives of these areas (Zarzoso and Pardo-Tomás 2016: 160). In addition to clinics, the prevalence of museos anatómicos, or anatomical museums, increased. Professionals who practice social medicine use museos anatómicos to educate the public on medical science, disease prevention, possible treatments, etc. However, the museos anatómicos received negative views due to their explicit nature (Zarzoso and Pardo-Tomás 2016: 173-77). Also explicit in nature, prostitution and brothels are very popular and in high demand in the Conde de Asalto. Many of the establishments along the Conde de Asalto cater to the needs of prostitutes, such as rubber ware and bathing establishments, abortion clinics, and photographic studios, and granted access to brothels. The purpose of rubber ware and bathing establishments is to purchase condoms and to cleanse genitalia, respectively. Overall, there is a range of �2 businesses along the Conde de Asalto that slowly transforms from respectable to perverse as you travel from one end to another (Zarzoso and Pardo-Tomás 2016: 171-72). � https://collections.ecu.edu/files/original/20/535/Langley_Grace_Conde_de_Asalto_[edited].mp3 d75c987d7e68892b79cf8f62e8b5325d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Digital Barcelona Subject The topic of the resource Sights around Barcelona Description An account of the resource The items (text documents, audio, video) used in the collection were created by the students from Fall 2016 HONS 2011.003: Barcelona: An Urban Cultural history class taught by Dr. Benjamin Fraser. Creator An entity primarily responsible for making the resource Benjamin Fraser Irina Swain Camille Kresz Language A language of the resource English, Spanish Identifier An unambiguous reference to the resource within a given context Digital Barcelona Date Created Date of creation of the resource. January 2017 Publisher An entity responsible for making the resource available Irina Swain Camille Kresz Rights Information about rights held in and over the resource Creative Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Conde de Asalto Subject The topic of the resource Conde de Asalto Description An account of the resource The Conde de Asalto is located in Barcelona, Spain. Creator An entity primarily responsible for making the resource Grace Langley, Benjamin Fraser Publisher An entity responsible for making the resource available Camille Kresz Date A point or period of time associated with an event in the lifecycle of the resource 02/06/2017 Language A language of the resource English, Spanish Type The nature or genre of the resource Document, Sound Date Created Date of creation of the resource. 02/06/2017 Barcelona Conde de Asalto Grace Langley Spain