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                  <text>"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia</text>
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                  <text>&lt;p align="center"&gt;&amp;nbsp;(English)&lt;/p&gt;&#13;
&lt;p&gt;Bernstein, Aline.&amp;nbsp;&lt;em&gt;Masterpieces of Women's Costume of the 18th and 19th Centuries&lt;/em&gt;. Mineola, NY: Dover Publications, 2001.&lt;/p&gt;&#13;
&lt;p&gt;Efimova, L. V., and T. S. Aleshina.&amp;nbsp;&lt;em&gt;Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century&lt;/em&gt;. London: Vivays Pub., 2011.&lt;/p&gt;&#13;
&lt;p&gt;Hahn, H.&amp;nbsp;&lt;em&gt;Scenes of Parisian Modernity&lt;/em&gt;. New York: PALGRAVE MACMILLAN, 2016.&lt;/p&gt;&#13;
&lt;p&gt;Hiner, Susan.&amp;nbsp;&lt;em&gt;Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France&lt;/em&gt;. Philadelphia: University of Pennsylvania Press, 2010.&lt;/p&gt;&#13;
&lt;p&gt;Perrot, Philippe.&amp;nbsp;&lt;em&gt;Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century&lt;/em&gt;. Princeton, NJ: Princeton University Press, 1996.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pushkin, Alexander.&amp;nbsp;&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ribeiro, Aileen.&amp;nbsp;&lt;em&gt;The Art of Dress: Fashion in England and France, 1750-1820&lt;/em&gt;. London: Yale University Press, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Salmond, Wendy R., et al. Konstantin&amp;nbsp;&lt;em&gt;Makovsky: The Tsars painter in America and Paris.&amp;nbsp;&lt;/em&gt;Washington, D.C., Hillwood Estate, Museum &amp;amp; Gardens, 2015.&lt;/p&gt;&#13;
&lt;p&gt;Takeda, Sharon Sadako., et al.&amp;nbsp;&lt;em&gt;Reigning Men: Fashion in Menswear, 1715-2015&lt;/em&gt;. Los Angeles County Museum of Art, 2016.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p align="center"&gt;(Russian)&lt;/p&gt;&#13;
&lt;p&gt;Кирсанова Р. М.&amp;nbsp;&lt;em&gt;Костюм в русской художественной культуре&lt;/em&gt;. М.: Большая Советская Энциклопедия, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Лотман Ю. М. Роман А. С. Пушкина &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий // Лотман Ю. М.&amp;nbsp;&lt;em&gt;Пушкин: Биография писателя; Статьи и заметки, 1960-1990; &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий.&amp;nbsp;&lt;/em&gt;- СПб.: Искусство-СПб, 1995. С. 472-762.&lt;/p&gt;&#13;
&lt;p&gt;Лотман, Юрий.&amp;nbsp;&lt;em&gt;Беседы о русской культуре&lt;/em&gt;. СПб.: Искусство-СПб, 1994.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Русская культура&lt;/em&gt;. М.: Белый город, 1995.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Пушкин А. С. &amp;ldquo;Евгений Онегин&amp;rdquo;// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</text>
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                  <text>Spring 2016</text>
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                  <text>Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. </text>
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              <text>&lt;p&gt;&amp;laquo;Что? Приглашенья?&lt;/p&gt;&#13;
&lt;p&gt;В самом деле,&lt;/p&gt;&#13;
&lt;p&gt;Три дома на вечер зовут:&lt;/p&gt;&#13;
&lt;p&gt;Там будет бал, там детский праздник.&lt;/p&gt;&#13;
&lt;p&gt;Куда ж поскачет мой проказник?&lt;/p&gt;&#13;
&lt;p&gt;С кого начнет он? Всё равно:&lt;/p&gt;&#13;
&lt;p&gt;Везде поспеть немудрено.&lt;/p&gt;&#13;
&lt;p&gt;Покамест в утреннем уборе,&lt;/p&gt;&#13;
&lt;p&gt;Надев широкий боливар,&lt;/p&gt;&#13;
&lt;p&gt;Онегин едет на бульвар&lt;/p&gt;&#13;
&lt;p&gt;И там гуляет на просторе,&lt;/p&gt;&#13;
&lt;p&gt;Пока недремлющий брегет&lt;/p&gt;&#13;
&lt;p&gt;Не прозвонит ему обед&amp;raquo; (1, XIII-XIV, 10)&lt;em&gt;.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&amp;ldquo;What? Invitations? Yes, three houses&lt;br /&gt;&#13;
&lt;p&gt;Have asked him to a grand soiree.&lt;/p&gt;&#13;
&lt;p&gt;There&amp;rsquo;ll be a ball, a children&amp;rsquo;s party;&lt;/p&gt;&#13;
&lt;p&gt;Where will he dash to, my good hearty?&lt;/p&gt;&#13;
&lt;p&gt;Where will he make the night&amp;rsquo;s first call?&lt;/p&gt;&#13;
&lt;p&gt;Oh, never mind&amp;mdash;he&amp;rsquo;ll make them all.&lt;/p&gt;&#13;
&lt;p&gt;But meanwhile, dressed for morning pleasure,&lt;/p&gt;&#13;
&lt;p&gt;Bedecked in broad-brimmed &lt;em&gt;Bolivar, &lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;He drives to Nevsky Boulevard,&lt;/p&gt;&#13;
&lt;p&gt;To stroll about at total leisure,&lt;/p&gt;&#13;
&lt;p&gt;Until Breguet&amp;rsquo;s unsleeping chime&amp;rdquo; (Chapter 1, Stanza 13-14, Page 10).&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Bolivar: A Top Hat </text>
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                <text>&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;"Reading Fashion"</text>
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                <text>Popular as part of salon culture, men often sported &lt;em&gt;Bolivar&lt;/em&gt;&amp;nbsp;top hats.&lt;em&gt;&amp;nbsp;&lt;/em&gt;</text>
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                <text>Text: Alexander Pushkin;&amp;nbsp;&lt;em&gt;Eugene Onegin&amp;nbsp;&lt;br /&gt;&lt;/em&gt;Image:&amp;nbsp;&lt;em&gt;Красавец мужчина&lt;strong&gt;. &lt;/strong&gt;Русский модник XVIII &amp;ndash; начала ХХ века / Авт. &amp;ndash;сост. Н.М. Виноградова&lt;/em&gt;</text>
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                <text>Text: Oxford's World Classics&#13;
Image: M. Исторический музей</text>
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                    <text>Boqueria
Catalan culture has not always been as vibrant as it is today; there was a time during the
Franco regime that the culture was almost wiped out completely. In fact Teresa M. Vilarós
comments on its comeback in the article “A Cultural Mapping of Catalonia,” saying that Catalan
culture’s “present vibrancy cannot but be amazing” (1995: 45). One place to find the vibrancy of
the culture, specifically food culture, is the Boquería. Robert Hughes discussed the area in his
book Barcelona: The Great Enchantress, writing that “for any serious lover of food … there is
no other place in the world quite like the Boquería” (2004: 74). The market features non-food
items, all kinds of exotic food, and of course a large collection of fish. No matter what direction
a person looks, fish is always in sight making the odor strong. In fact fish is so important to the
Catalan way of life that a “[Fish Laboratory] was founded” in a local park in the city of
Barcelona (Hochadel and Valls 2016: 38).
The vendors in the market are friendly and willing to help customers find and get what
they need. The Boquería is large and it is possible to spend an entire day looking at everything.
One can even get lost in the maze of vendors because of how large it is. While getting in and out
of the market is tough it is worth a stop because it is a good place to try local food. The
experience of going in and seeing this renowned market is unlike any other.

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Camille Kresz</text>
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                <text>&lt;strong&gt;Nickname:&lt;/strong&gt; Brain NC &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Home&lt;/strong&gt;: Burlington, Alamance Favorite &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Color:&lt;/strong&gt; Blue/purple TV &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Show:&lt;/strong&gt; Murphy's Place &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pets&lt;/strong&gt;: Cockatiel (Cluck) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Profile:&lt;/strong&gt; I enjoy fitness and working out. I just recently finished my last year as a college wrestler. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Education:&lt;/strong&gt; I have a BS in biology as well as a minor in business administration. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hobbies:&lt;/strong&gt; Lifting weights &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Unique Attributes:&lt;/strong&gt; I was all-conference, a regional runner up, and a national qualifier in my final NCAA wrestling season.</text>
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                  <text>"Reading" Fashion in A. Pushkin's Eugene Onegin: Word as Image in 1820s Imperial Russia</text>
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                  <text>The importance of fashion in XIX Century Russian Literature, with referene to&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>Images to match citations, revealing the significance of evolving Russian fashion during the period of&amp;nbsp;&lt;em&gt;Eugene Onegin.&amp;nbsp;&lt;/em&gt;</text>
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                  <text>&lt;p align="center"&gt;&amp;nbsp;(English)&lt;/p&gt;&#13;
&lt;p&gt;Bernstein, Aline.&amp;nbsp;&lt;em&gt;Masterpieces of Women's Costume of the 18th and 19th Centuries&lt;/em&gt;. Mineola, NY: Dover Publications, 2001.&lt;/p&gt;&#13;
&lt;p&gt;Efimova, L. V., and T. S. Aleshina.&amp;nbsp;&lt;em&gt;Russian Elegance: Country and City Fashion from the 15th to the Early 20th Century&lt;/em&gt;. London: Vivays Pub., 2011.&lt;/p&gt;&#13;
&lt;p&gt;Hahn, H.&amp;nbsp;&lt;em&gt;Scenes of Parisian Modernity&lt;/em&gt;. New York: PALGRAVE MACMILLAN, 2016.&lt;/p&gt;&#13;
&lt;p&gt;Hiner, Susan.&amp;nbsp;&lt;em&gt;Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France&lt;/em&gt;. Philadelphia: University of Pennsylvania Press, 2010.&lt;/p&gt;&#13;
&lt;p&gt;Perrot, Philippe.&amp;nbsp;&lt;em&gt;Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century&lt;/em&gt;. Princeton, NJ: Princeton University Press, 1996.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Pushkin, Alexander.&amp;nbsp;&lt;em&gt;Eugene Onegin:&amp;nbsp;&lt;/em&gt;A Novel in Verse (Oxford's World's Classics). Translated with an Introduction and Notes by James E. Falen. NY: Oxford University Press, 2009.&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ribeiro, Aileen.&amp;nbsp;&lt;em&gt;The Art of Dress: Fashion in England and France, 1750-1820&lt;/em&gt;. London: Yale University Press, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Salmond, Wendy R., et al. Konstantin&amp;nbsp;&lt;em&gt;Makovsky: The Tsars painter in America and Paris.&amp;nbsp;&lt;/em&gt;Washington, D.C., Hillwood Estate, Museum &amp;amp; Gardens, 2015.&lt;/p&gt;&#13;
&lt;p&gt;Takeda, Sharon Sadako., et al.&amp;nbsp;&lt;em&gt;Reigning Men: Fashion in Menswear, 1715-2015&lt;/em&gt;. Los Angeles County Museum of Art, 2016.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p align="center"&gt;(Russian)&lt;/p&gt;&#13;
&lt;p&gt;Кирсанова Р. М.&amp;nbsp;&lt;em&gt;Костюм в русской художественной культуре&lt;/em&gt;. М.: Большая Советская Энциклопедия, 1995.&lt;/p&gt;&#13;
&lt;p&gt;Лотман Ю. М. Роман А. С. Пушкина &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий // Лотман Ю. М.&amp;nbsp;&lt;em&gt;Пушкин: Биография писателя; Статьи и заметки, 1960-1990; &amp;ldquo;Евгений Онегин&amp;rdquo;: Комментарий.&amp;nbsp;&lt;/em&gt;- СПб.: Искусство-СПб, 1995. С. 472-762.&lt;/p&gt;&#13;
&lt;p&gt;Лотман, Юрий.&amp;nbsp;&lt;em&gt;Беседы о русской культуре&lt;/em&gt;. СПб.: Искусство-СПб, 1994.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Русская культура&lt;/em&gt;. М.: Белый город, 1995.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Пушкин А. С. &amp;ldquo;Евгений Онегин&amp;rdquo;// А. С. Пушкин. Полное собрание сочинений в 10 тт. Издание третье. М.: Наука. Т. 4. С. 6-213; 581-608.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</text>
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                  <text>Permission to use images, from the Middleton album and exhibit, granted by Angie Dodson of Hillwood Estate, Museum and Garden. </text>
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              <text>&lt;p&gt;&amp;laquo;Что? Приглашенья?&lt;/p&gt;&#13;
&lt;p&gt;В самом деле,&lt;/p&gt;&#13;
&lt;p&gt;Три дома на вечер зовут:&lt;/p&gt;&#13;
&lt;p&gt;Там будет бал, там детский праздник.&lt;/p&gt;&#13;
&lt;p&gt;Куда ж поскачет мой проказник?&lt;/p&gt;&#13;
&lt;p&gt;С кого начнет он? Всё равно:&lt;/p&gt;&#13;
&lt;p&gt;Везде поспеть немудрено.&lt;/p&gt;&#13;
&lt;p&gt;Покамест в утреннем уборе,&lt;/p&gt;&#13;
&lt;p&gt;Надев широкий боливар,&lt;/p&gt;&#13;
&lt;p&gt;Онегин едет на бульвар&lt;/p&gt;&#13;
&lt;p&gt;И там гуляет на просторе,&lt;/p&gt;&#13;
&lt;p&gt;Пока недремлющий брегет&lt;/p&gt;&#13;
&lt;p&gt;Не прозвонит ему обед&amp;raquo; (1, XIII-XIV, 10)&lt;em&gt;.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&amp;ldquo;What? Invitations? Yes, three houses&lt;br /&gt;&#13;
&lt;p&gt;Have asked him to a grand soiree.&lt;/p&gt;&#13;
&lt;p&gt;There&amp;rsquo;ll be a ball, a children&amp;rsquo;s party;&lt;/p&gt;&#13;
&lt;p&gt;Where will he dash to, my good hearty?&lt;/p&gt;&#13;
&lt;p&gt;Where will he make the night&amp;rsquo;s first call?&lt;/p&gt;&#13;
&lt;p&gt;Oh, never mind&amp;mdash;he&amp;rsquo;ll make them all.&lt;/p&gt;&#13;
&lt;p&gt;But meanwhile, dressed for morning pleasure,&lt;/p&gt;&#13;
&lt;p&gt;Bedecked in broad-brimmed &lt;em&gt;Bolivar, &lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;He drives to Nevsky Boulevard,&lt;/p&gt;&#13;
&lt;p&gt;To stroll about at total leisure,&lt;/p&gt;&#13;
&lt;p&gt;Until Breguet&amp;rsquo;s unsleeping chime&amp;rdquo; (Chapter 1, Stanza 13-14, Page 10).&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Breguet: A Pocket Watch</text>
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