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                  <text>Santa Maria del Mar
I firmly believe that even though it is necessary to plan now and look to the future to
grow, the past should never be forgotten; this being said, it makes sense that Barcelona’s
offering of new-age architecture while still preserving remnants of the past is what impresses
me most.
Through the Santa Maria del Mar, we can see the “essence of medieval Barcelona”
(Hughes 2004: 40). The motif of width and length being emphasized over height is repeated
through this landmark, illustrating the sense of security and triumph medieval Catalans felt
when designing the buildings, and as a result, the Santa Maria del Mar is a primeval example
of Catalan Gothic architecture (Choay 1969: 26; Hall 1997: 127). This cathedral, located where
“the city meets the sea,” was a “place made by workers for workers,” utilized by the sailors and
merchants of Barcelona in the 14th century.
In 1936, it was attempted to be burnt down by subversive anarchists during the Spanish
Civil War; incredibly enough, its structure prevailed (Hughes 2004: 59-60). And what a
structure it is—its lofty ceilings and unprecedentedly spaced columns served as an influence
for Gaudí’s La Sagrada Familia, a true testament to the extravagance and allure of the Santa
Maria. Though the internal area of the church was burned out and its vaults are scathed by the
heat of the fire, the Santa Maria may as well have been reborn through the fire with its
unadorned, seemingly untouched interior reminiscent of the Llotja only hinting at secrets of the
past.

�</text>
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                <text>Benjamin Fraser&#13;
Irina Swain&#13;
Camille Kresz</text>
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Camille Kresz</text>
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              <text>Graziella Dominado, Benjamin Fraser</text>
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