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                  <text>Park Güell

Antoni Gaudí and Eusebi Güell began construction of Park Güell, a vast garden
suburb above the city in Barri de la Salut in Gràcia in June 1900. “For fourteen years,
Güell and Gaudi collaborated on what had begun as a garden suburb for sixty families
set on 37 acres of rugged terrain on the Collserola range” (Kent 2002: 226). Its
purpose was to lure buyers to an English-style high-income subdivision (Sobrer
2002: 214). Each of the sixty families was to have an individual house. No wall could
be higher than 80 centimeters and no hedges or other obstructions were permitted.
“Wildness in nature was celebrated and protected: Oaks, carob trees, Spanish
broom, rosemary, and other indigenous plants were preserved” (Kent 2002: 226).
Gaudí created the garden with a series of references to Paradise, through allusions to
the sacred mountain of Monserrat and the grottoes and shrines of traditional
Catalonia that he incorporated into the site's layout” (Kent 2002: 226).
The road and path system in Park Güell was to be an interlocking network more
than a grid, in contrast to Cerdá’s design for the Eixample, the district beside Park
Güell (Hall 1997).
Although the commercial project eventually failed, it did not inhibit Gaudí from
constructing a massive stone Golgatha at the park summit. Now, there is a brilliantly
tiled bench that wraps around the central theater of the park, a Doric-style hypostyle
hall that provides space for civic functions and celebration of local festivities honoring
Catalan culture.

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Irina Swain&#13;
Camille Kresz</text>
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                <text>Irina Swain&#13;
Camille Kresz</text>
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