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                  <text>Maremagnum Complex
Moll d’Espanya was a dockyard that was transformed to the Maremagnum Complex in
preparation for the 1992 Olympic Games. This complex includes “a shopping mall, aquarium,
multi-screen cinema, and open public areas” (Sanchez 2002: 295). The shopping mall is typical
in its promotion of consumption for leisure, but atypical in its purpose of connecting interior and
exterior spaces. In the front and the back of the mall there are open public spaces for which the
structure serves as a passageway. This is an atypical design because postmodern leisure often has
a focus on “enclosed, safe environments which guarantee pleasure through continuous
consumption and isolation from urban reality outside” (Sanchez 2002: 295). Looking at the
exterior open spaces at the Maremagnum Complex, one can see that they serve a purpose slightly
different from that of the mall, they do not promote “consumer practices but […] traditional ones
such as strolling, chatting” and “playing” (Sanchez 2002: 295).
The usage of a place can determine its social role. The typical visitor to the Maremagnum
Complex is not a tourist but a student, or an employee of a nearby facility. Visitors determine the
“social meaning” of the “urban space” by using it for “everyday activities” rather than
functioning as a tourist attraction (Sanchez 2002: 296). The environment “shaped the practices”
but these practices “changed the urban environment” (Hochadel and Nieto-Galan 2016: 7)
Redevelopment for the 1992 games provided vibrant spaces, such as the Maremagnum
Complex, but also caused changes in the urban layout and culture of Barcelona. The city became
“catalanised, globalised, informationalised, gentrified, redesigned, and europeanised” (McNeill
2002: 245). On a more colloquial note some say even the “sounds and smells have changed”
(McNeil 2002: 245).

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Irina Swain&#13;
Camille Kresz</text>
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