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                  <text>Casa Batlló and Casa Milà

The Casa Batlló was a renovation done by Antonio Gaudí of a preexisting
apartment building, although little was left besides the ground levels. The building can
be described as “a five-story crust of shifting, aqueous color” with a roof decorated
with “giant ceramic scales” (Hughes 2004: 143). All of these characteristics come to
life in Hiroshi Teshigahara’s film Antonio Gaudí (1984). The film only shows the
exterior of the building, however, the influence of nature in Gaudí’s work can be
identified through his use of color, misshapen balconies and arches.
Further down the street, the Casa Milà came into view as competition for the
Casa Batlló. In contrast to Casa Batlló, Casa Milà “was designed from the ground up
not adapted from an existing building” (Hughes 2004:145). Antonio Gaudí was
granted complete design autonomy of the building and, as a result, Gaudí created “a
sea cliff with caves in it for people” (Hughes 2004:145). The balconies resemble the
seafloor and the columns on the roof look like “eye sockets of a Cyclopean head”
(Hughes 2004:145). The strange beauty that Gaudí created can also be seen in
Teshigahara’s film. In the film, the deep sea is translated into architectural form
through the sight of Gaudí’s work. Gaudí’s style strayed from the conventions of
traditional beauty. No other architect at the time would have dared to attempt to use
creativity on such an extreme level. However, Gaudí perfected nonconventionality
seamlessly. Overall, both pieces were magnificent in their own right and represented
Gaudí’s contributions to Barcelona’s Renaixença.

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Irina Swain&#13;
Camille Kresz</text>
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                <text>Irina Swain&#13;
Camille Kresz</text>
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